Peter Sellars

A film featuring singer Ganavya, calligrapher Wang Dongling, and dancer Michael Schumacher who during COVID lockdown, created an hour-long meditation on the visionary, radiant Vimalakirti Sutra, a Buddhist text from the first century CE. A businessman, having chosen a path of illness towards spiritual awakening, teaches the visitors at his deathbed with depth and penetration: how to face life with no illusions. The artists, across three continents and three artforms, interpret the text individually and collaboratively, sharing a story of acute pain, deep healing, and radical transformation.

A film featuring singer Ganavya, calligrapher Wang Dongling, and dancer Michael Schumacher who during COVID lockdown, created an hour-long meditation on the visionary, radiant Vimalakirti Sutra, a Buddhist text from the first century CE. A businessman, having chosen a path of illness towards spiritual awakening, teaches the visitors at his deathbed with depth and penetration: how to face life with no illusions. The artists, across three continents and three artforms, interpret the text individually and collaboratively, sharing a story of acute pain, deep healing, and radical transformation.

Considered to be one of his most brilliant creations, Mozart’s Idomeneo is a perfect masterpiece for the two enfants terribles of classical music and opera staging, conductor Teodor Currentzis and stage director Peter Sellars. Joined by the exceptional voices of Russell Thomas, Paula Murrihy, Ying Fang, and Nicole Chevalier, this is a one-of-a-kind performance of the score in the city where its creator was born!

Esta meditación artística e íntima sobre lalegendaria narradora de historias examina su vida, sus obras y los poderosos temas que ha enfrentado a lo largo de su carrera literaria.

Franco Zeffirelli passed away on 15th June 2019. Chris Hunt's biography explores how Zeffirelli's sense of drama was born out of his own experience and how his life inspired his productions. Chris Hunt interviewed him and other famous actors, friends and associates, had a camera at Zeffirelli's 94th birthday and during the opening of his foundation in Florence. This documentary, including clips from operas, films and plays aims to be the definitive portrait of a Renaissance man larger than life.

Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces.

Este DVD y Blu-ray se derivan de las actuaciones de estreno mundial, en la Ópera Nacional Holandesa en 2016, de Only the Sound Remains, una doble factura de inspiración japonesa de Kaija Saariaho. Su primera ópera, L’Amour de loin, cautivó al público de todo el mundo, y compuso Only the Sound Remains con los tonos etéreos de Philippe Jaroussky en mente. Apropiadamente, el contratenor francés interpreta a dos personajes sobrenaturales, un ángel y un fantasma. El pescador y el sacerdote que los encuentra son cantados por el barítono Davone Tines, mientras que la producción es obra del célebre director Peter Sellars.

How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.

How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.

The impact of wunderkind theatre director Reza Abdoh's explosive work is finally brought to light twenty years after his death of AIDS, with live performance footage and interviews with those closest to him.

Erbarme dich - Matthäus Passion Stories is a labyrinthine narrative in which notables such as Peter Sellars, Emio Greco, Simon Halsey and painter Rinke Nijburg explain their special relationship with Bach’s St Matthew Passion to Ramón Gieling (Johan Cruijff: en un momento dado). They speak against the backdrop of a church which has fallen into disrepair, while a choir of homeless people and Pieter Jan Leusink’s Bach Choir & Orchestra rehearse the Passion. Leusink isn't just the conductor, he is one of the main characters himself, with a painful past in which this musical piece has played a dominant role. Stories from the others alternate seamlessly with this. We learn how the St Matthew Passion played a decisive role in the relations between men and women, fathers and sons, fathers and daughters, mothers and their unborn children, and finally that in spite of our differences we all find a common denominator in the secret of Bach's music.

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

Tony Palmer directs this documentary exploring the life and work of the celebrated English composer, conductor and pianist. Britten is particularly well known for his operas, which include 'Peter Grimes' and 'Death in Venice'. Palmer discusses the life experiences that influenced Britten's work, such as the turmoil of World War II, which horrified his pacifistic nature, and reflects on the role of an artist in such troubled times.

Iolanta is a one act lyric opera, sung in Russian, by Tchaikovsky. Performed in the style of a nineteenth-century Italian melodrama, the scenes have a recitative introduction followed by a single arioso, aria, duet or chorus. Persephone is a three act melodrama, sung in French, by Stravinsky. It is a story of regeneration, symbolised in Sellars use of dancers from the Cambodian dance company, Amrita Performing Arts. Peter Sellars, one of the most innovative creators on today's stage, has linked these two productions by using the same stage setting, instantly archaic yet modern, and lit by rich colours to define the journey from darkness to light.

A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.

A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.

John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

Sir Simon Rattle was in no doubt: the performance of the St Matthew Passion which he realised together with the Berliner Philharmoniker and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here”. Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kožená, Christian Gerhaher, Thomas Quasthoff and Mark Padmore as the Evangelist.

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

The European premiere of the opera by the contemporary American composer John Adams, with libretto by Peter Sellars, in a co-production of the San Francisco Opera (where the work premiered), the Lyric Opera of Chicago, and De Nederlandse Opera. The plot focuses on the great stress and anxiety experienced by those at Los Alamos while the test of the first atomic bomb (the "Trinity" test) was being prepared.

The European premiere of the opera by the contemporary American composer John Adams, with libretto by Peter Sellars, in a co-production of the San Francisco Opera (where the work premiered), the Lyric Opera of Chicago, and De Nederlandse Opera. The plot focuses on the great stress and anxiety experienced by those at Los Alamos while the test of the first atomic bomb (the "Trinity" test) was being prepared.

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.

A four-hour plus video production inspired by Richard Wagner's oeuvre "Tristan und Isolde" and projected during the opera premiere in Paris, in partnership with Peter Sellars as artistic collaborator, and conductor Esa-Pekka Salonen.

Every great cook secretly believes in the power of food. Alice Waters just believes this more than anybody else. She is certain that we are what we eat, and she has made it her mission in life to make sure that people eat beautifully. Waters is creating a food revolution, even if she has to do it one meal at a time.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

Peer into the world of contemporary composer John Adams with this documentary that blends performance footage with insightful interviews and commentary from his collaborators and the master himself. Highlights include performances of Adams's Grammy Award-winning operas “Nixon in China” and “El Niño” and excerpts from Penny Woolcock’s film adaptation of “The Death of Klinghoffer”. Works by Steve Reich and Conlon Nancarrow are also performed by the Ensemble InterContemporain at the Théâtre Musical de Paris-Châtelet.

Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.

Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.

The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.

The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.

A BBC documentary about a pre-rehearsal workshop held in New York prior to the Goodman Theater’s 1994 production of The Merchant of Venice, directed by Peter Sellars in Chicago.

In 1992, Olivier Messiaen's epic opera "Saint François d'Assise" was brought to the Salzburg Festival in a staging by Peter Sellars. The distinct visual appearance that Sellars lent to the opera, where video monitors with powerful images are used as a sort of high-tech metaphor for a cathedral's stained glass, drew critical acclaim and is still talked about as a watershed moment in opera to this day. This film here is a 75-minute documentary on the 1992 staging. Jean-Pierre Gorin filmed Sellars, baritone José van Dam (St. Francis) soprano Dawn Upshaw (The Angel), and the LA Philharmonic and conductor Esa-Pekka Salonen as they rehearsed for the big day. There are interviews with these artists, though Sellars gets most of the screen time. The documentary is very much about Sellars' vision for Messiaen's theatrical drama. Very little is said about Messiaen's music.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

In this modern-day presentation of Wolfgang Amadeus Mozart's beloved opera "Le Nozze di Figaro," acclaimed American director Peter Sellars moves the action from a castle in Seville to a Trump Tower penthouse on New York City's Fifth Avenue. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series the others are "Don Giovanni" and "'Così Fan Tutte."

Though performed in the original Italian, Peter Sellars' production of Cosi fan tutte relocates Mozart's comedy of love to the neon-and-chrome glare of a seaside diner, mirroring the turbulent world of late-twentieth-century America.

This special program gives viewers a revealing look at Sellar's controversial productions of Mozart's Don Giovanni, Marriage of Figaro and Cosi Fan Tutte.

Director Peter Sellars helms this provocative adaptation of George Frideric Handel's opera "Giulio Cesare," sung in the original Italian by soprano Susan Larson (who plays Cleopatra) and countertenor Jeffrey Gall (in the role of Julius Caesar) but set in a very different locale: a futuristic Middle East. Sellars personally wrote the English subtitles included in this version to match the tone he intended for his vision.

Small time crooksters Nick and Charlie have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and women they begin the set-up, but then Nick falls for the owner of a neighboring antique store and things get a little complicated.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.