Goran Trbuljak

A disillusioned opera star, a lonely pastry chef, and a divorced Don Juan with an amorous history offstage make for choice ingredients in this poignant romantic tale spiced with Christmas cookies, borscht, and an alarming quantity of deadly insecticide. Director Tribuson demonstrates a deft talent for juggling comic romantic disasters from a woman’s point of view as her characters negotiate the bamboozling ways of love. Middle-aged Verica (acclaimed actress Marinković) pours her heart into her café’s pastries, but she can’t seem to find a like-minded lover until a duplicitous handyman with pheromones to spare and an eye for the ladies sets off a chain of unforeseen adventures all tied together by one fateful plate of tasty treats.

Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?

With the film Good Morning Ante Babaja took one last look in the bloodthirsty jaws also known as Time – with eyes wide open. Until then he did not spare his characters death and transience, and when the time came he directed a childishly inquisitive view on his own inevitable ending. He did it with a small miniDV camera and in a matter of seconds turned from a professional filmmaker to an amateur who films not only when he can and when the conditions are favorable, but always and everywhere because he feels a need to express himself through film and think in terms of film. At the end of his five decades long career, Babaja had the modesty and the inspiration to start again. As an 80-year-old he made his first feature-length documentary film, using digital technology for the first time. Good Morning impressively and consistently rounds up the artistic and life trajectory of a great modernist and paints a unique authorial trace he left in the history of our cinema.

Invited by Galerie de Locataires, six artists in Venice with the help of a single camera recorded a diary of the sailing through the Venetian canals - Jean-Pierre Bertrand, Alain Fleisher, Thierry Kuntzel, Michel Snow, Groupe To and Goran Trbuliak. L’air du large is Trbuljak's recording from the boat.

Radovan Orlak Orao fell off a skyscraper on the day when four of his old friends waited for him to celebrate his birthday. They had been friends since childhood, but now at middle age they see each other only occasionally. Faced with the fact that they actually knew very little about their friend’s recent life, they start meeting more regularly and try to find out the circumstances that led to Orao’s suicide or possibly even murder…

A canvas is covered with a conversion filter for camera light (85ND3). Trbuljak has previously experimented with painting without a brush – here, he brings the colour in front of and no longer on the canvas using a material actually intended for camera techniques.

Upon his release from prison, a convict kidnaps the judge, the public prosecutor and three more people with the help of his inmate on conditional release, and takes them to his uncle's farm in an abandoned village. The duo has different plans of what to do with the captives.

Valent is a night shift worker who can barely feed his family. To add the insult to injury, every night he must pass near the butcher's shop with meat products he can't afford. But one night the shop is a scene of a gangland shooting. Valent picks up the bag full of money and a gun, and his life changes.

Musicologist and professor Kosor wakes up in a hospital. He has survived a serious car accident. In a bed next to his lies the amiable economist Gajski, whose wife Melita regularly visits him. This unusually beautiful woman is the first person that Kosor sees after he gains consciousness and is completely enchanted by her. Kosor becomes obsessed by Melita’s physical beauty and her trustworthy character and begins a risky game of writing and sending her anonymous love letters…

A young man finds a way to spend his last few days of freedom before joining the army. Set in eastern Bosnia in summer of 1968.

After a hard day's work in the factory a woman spends her evening at home, lonely and full of desire.

A power-cut in a great apartment building brings the tennants together.

The funeral in his native village evokes the main character's reminiscences from the childhood, but the bygone time exist only in his memories.

Produced at the Motovun Video Meeting in Croatia, 1989. Screened in retrospective at Alternative Film/Video Belgrade Festival 2014.