Jon Moss

¡Culture Club realiza sus mejores éxitos en Londres en diciembre de 2016 como nunca antes! Las leyendas del pop adornadas con platino de los 80, Culture Club, regresan a casa y tocan "Live At Wembley" después de una exitosa gira mundial de 60 estados con los miembros originales Boy George, Roy, Mikey y John con latón, cantantes de respaldo y todo, lo que eso significa frente a una audiencia en casa. "Te ves hermosa", llama Boy George a sus fanáticos, que están de fiesta y celebran a su ídolo del pop como si fuera 1984. La banda sorprende con nuevos arreglos, los elementos del funk, soul, reggae, blues y rock. enlace. Y Boy George es muy bueno en voz, que ahora tiene un carácter cálido y conmovedor.

¡Culture Club realiza sus mejores éxitos en Londres en diciembre de 2016 como nunca antes! Las leyendas del pop adornadas con platino de los 80, Culture Club, regresan a casa y tocan "Live At Wembley" después de una exitosa gira mundial de 60 estados con los miembros originales Boy George, Roy, Mikey y John con latón, cantantes de respaldo y todo, lo que eso significa frente a una audiencia en casa. "Te ves hermosa", llama Boy George a sus fanáticos, que están de fiesta y celebran a su ídolo del pop como si fuera 1984. La banda sorprende con nuevos arreglos, los elementos del funk, soul, reggae, blues y rock. enlace. Y Boy George es muy bueno en voz, que ahora tiene un carácter cálido y conmovedor.

In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio.As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion.The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

Location - London's Hyde Park Date - 4th July 1999 Madness: "Our House"; S Club 7: "Bring it all Back"; Boyzone: "No Matter What"; Geri Halliwell: "Look at Me"; Texas: "Blacked Eyed Boy"; Steps: One for Sorrow". It all goes on and on and on with simply the best on this 120 minute concert recording of the Party In The Park

Mark Kidel's portrait of Boy George is a hypnotic story of narcissism and neediness, drugs and drag. It covers nine years, from Culture Club's sudden success through George's rebirth as a solo celeb. Along the way there's tons of amazing archive footage, some very queer fashions, a gripping interview with his ex, Jon Moss and a sign of salvation.

Recorded live at Hammersmith Odeon December 1983 1 - I'll Tumble 4 Ya 2 - Mister Man 3 - It's A Miracle 4 - Karma Chameleon 5 - Black Money 6 - Love Twist 7 - Do You Really Want To Hurt Me 8 - Miss Me Blind 9 - Church Of The Poision Mind 10 - Victims 11 - Time 12 - White Boy 13 - Melting Pot.

A 30-minute video featuring documentary footage shot at the November 1984 recording session of Band Aid's 'Do They Know It's Christmas?'. It includes interviews with the charity supergroup's recording artists and musicians, as well as the completed promotional video.