Enn Vetemaa

Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.

Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.

Everyone has their own Sulev Nõmmik. To whom the director Sulev Nõmmik, to whom Kärna Ärni alias Ernst Kern, some remember him as a ballet dancer, others as a satirist. What these parts mean together and whether the whole can be divided, the film tries to answer.

Toad, the primeval inhabitant of the earth. One of the first living creatures who dared to venture from sea to land and some of whose species are now finding their way to the books of endangered species. Who are they really, these witch's creatures?

Fantastic film about the space trip of Klaabu, Ninni and Pessik, to their help to the habitats of other planet in a release from the yoke of ominous Mushroom and transformation of motherland in a flowering garden.

Aranei - spiders on web threads, leaves of grass and tree bark that may remain unnoticed and misunderstood from the height of the human eye.

On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.

Debora and Silver get into a serious car accident after a romantic night together. Silver escapes with a slight injury, but Debora's life is in danger and the doctors say there is no hope for her. Doctor Melts sees an opportunity in transplantation of dying Debora's kidneys to save the life of a professor who has a few weeks to live. However, the professor proposes a treatment for Debora that will exclude transplantation. The truth about the price of her life will change Debora's world.

Interesting and fancy spring tournaments are commencing on the beach meadows. The male ruffs gather here for their spectacular and complex lekking. It is the content of their life. The male bird's plumage beats the cleverest fashion designer's fantasies. We can distinguish the main players, showing off their bright collars, from their satellites and the rejected. In contrast to many other lekking games, the ruffs' lekking has lost its combative character and become completely ritualistic.

Students Jaan and Heiki in 1972, inexplicably, cross the river of time and arrive in 1944, the year of the German occupation of Estonia. The film depicts the painful and conflicting contact between the two ages and mentality.

Students Jaan and Heiki in 1972, inexplicably, cross the river of time and arrive in 1944, the year of the German occupation of Estonia. The film depicts the painful and conflicting contact between the two ages and mentality.

One lovely day a young man, a former ballet dancer suddenly finds himself on a pension and begins searching for a new place in life. Fate brings him together with a rather mischievous young day for whom her mother has been trying to find a tutor. Many exciting events begin to take place.

Old Faithful City mascot Thomas, who for centuries have stood the Town Hall tower at the top, is gone. He has left his guard post to go to defend love. Old Thomas and his adventures in pursuing historians pass through the romantic Old Town and the New Town, and the song festival mood everywhere sends them to sing and dance

The film introduces a selection of various guest types in cafes and night clubs in late 1960s when old ladies still had some bourgeois manners from the first republic of Estonia and the youngsters of the Soviet regime were not served in a restaurant if they had no proper clothing. The guests of Tallinn's legendary cafes "Pearl" and "Moscow" were filmed in their own time. The uniqueness of the film is expressed through a strangely independent soundtrack that observes everyday bustle from the heights of melancholy poetry and remote uranography. Artur Alliksaar's poetry is read by Aarne Üksküla.