Cinematography
A documentary about the Baumettes prison, in Marseille, France.
Director
A documentary about the Baumettes prison, in Marseille, France.
The unknown
Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is impoverished and his ancestors come from Brittany. In spite of their different backgrounds, the two fall in love, marry, and eventually have a baby girl. At just about that time, Veronique decides to go back to school, and Adrien becomes both mother and father to their baby. Unable to cope with Veronique's new-found intellectual friends and different lifestyle, Adrien clashes with her, and their arguments lead to a separation for awhile. The two then get back together again, but not for long. It is on a return trip from visiting his mother in Brittany that Adrien's life undergoes a dramatic change, and his story takes an equally unexpected turn.
Director
Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is impoverished and his ancestors come from Brittany. In spite of their different backgrounds, the two fall in love, marry, and eventually have a baby girl. At just about that time, Veronique decides to go back to school, and Adrien becomes both mother and father to their baby. Unable to cope with Veronique's new-found intellectual friends and different lifestyle, Adrien clashes with her, and their arguments lead to a separation for awhile. The two then get back together again, but not for long. It is on a return trip from visiting his mother in Brittany that Adrien's life undergoes a dramatic change, and his story takes an equally unexpected turn.
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.
Director
Cinematography
Esta película puede entenderse como un contraplano de El niño salvaje de Truffaut (que fue productor de Ce gamin, là). Jean Itard, instructor del niño salvaje de Aveyron; violencia del adiestramiento y del esfuerzo desesperado del maestro por reducir el carácter extraño del niño inspirado por un ideal, ciertamente noble; y por otro lado, en Ce gamin, là; la puesta al día de “un trazar primordial”, un gesto (escritura o dibujo) que no viene guiado por ninguna intención, ni voluntad de representación, ni terapéutica, ni pedagógica, sino por la voluntad de saberse siempre en relación a los otros, aunque parezcan no decir nada.
Writer
Esta película puede entenderse como un contraplano de El niño salvaje de Truffaut (que fue productor de Ce gamin, là). Jean Itard, instructor del niño salvaje de Aveyron; violencia del adiestramiento y del esfuerzo desesperado del maestro por reducir el carácter extraño del niño inspirado por un ideal, ciertamente noble; y por otro lado, en Ce gamin, là; la puesta al día de “un trazar primordial”, un gesto (escritura o dibujo) que no viene guiado por ninguna intención, ni voluntad de representación, ni terapéutica, ni pedagógica, sino por la voluntad de saberse siempre en relación a los otros, aunque parezcan no decir nada.
Director
Esta película puede entenderse como un contraplano de El niño salvaje de Truffaut (que fue productor de Ce gamin, là). Jean Itard, instructor del niño salvaje de Aveyron; violencia del adiestramiento y del esfuerzo desesperado del maestro por reducir el carácter extraño del niño inspirado por un ideal, ciertamente noble; y por otro lado, en Ce gamin, là; la puesta al día de “un trazar primordial”, un gesto (escritura o dibujo) que no viene guiado por ninguna intención, ni voluntad de representación, ni terapéutica, ni pedagógica, sino por la voluntad de saberse siempre en relación a los otros, aunque parezcan no decir nada.
Director
Fernand Deligny speaks of the object of his observation: autism. He talks about it as the researcher he is, with approximations, questions and gives us the most accurate picture possible. By successive keys, he brings us into the troubling enigma of a world without language. He puts us on the watch, with him in an unknown land. He addresses the filmmaker Renaud Victor and Renaud Victor share his dazzlement: he films intelligence at work.
