Camilo Soares

Faced with the imminent transformation of their homes into a true ghost town, residents of the Muribeca Housing Complex express the physical death of a community still alive in memory and feelings. The disappearance of the neighborhood (in Jaboatão dos Guararapes, Pernambuco), due to structural problems, real estate speculation and a long and turbid imbroglio between residents and agencies responsible for the work, is witnessed through resilience and resistance, affective landscapes and memories , who sometimes seek shelter in nostalgia, sometimes rekindle the resolute flame of hope.

Faced with the imminent transformation of their homes into a true ghost town, residents of the Muribeca Housing Complex express the physical death of a community still alive in memory and feelings. The disappearance of the neighborhood (in Jaboatão dos Guararapes, Pernambuco), due to structural problems, real estate speculation and a long and turbid imbroglio between residents and agencies responsible for the work, is witnessed through resilience and resistance, affective landscapes and memories , who sometimes seek shelter in nostalgia, sometimes rekindle the resolute flame of hope.

Faced with the imminent transformation of their homes into a true ghost town, residents of the Muribeca Housing Complex express the physical death of a community still alive in memory and feelings. The disappearance of the neighborhood (in Jaboatão dos Guararapes, Pernambuco), due to structural problems, real estate speculation and a long and turbid imbroglio between residents and agencies responsible for the work, is witnessed through resilience and resistance, affective landscapes and memories , who sometimes seek shelter in nostalgia, sometimes rekindle the resolute flame of hope.

Faced with the imminent transformation of their homes into a true ghost town, residents of the Muribeca Housing Complex express the physical death of a community still alive in memory and feelings. The disappearance of the neighborhood (in Jaboatão dos Guararapes, Pernambuco), due to structural problems, real estate speculation and a long and turbid imbroglio between residents and agencies responsible for the work, is witnessed through resilience and resistance, affective landscapes and memories , who sometimes seek shelter in nostalgia, sometimes rekindle the resolute flame of hope.

An old hired killer is hiding in the interior of Bolivia, in the desert region of the Salar de Uyuni. You just committed your last murder. After months in isolation, he travels to the interior of Paraguay where he receives a good reward and heads to Asunción with the aim of meeting his daughter.

A red table and the words of 23 former political prisoners. In this film, young subversive gentlemen comment on the coexistence in male prisons in Pernambuco during the military period. From the arrival to the prison, from the affection, from the hunger strike, from the role of collectives within the jail. The feeling of belonging is what moves this documentary. To the characters, belonging to a generation. To the technical team, the feeling of belonging to a country that seeks its memory, that seeks its truth.

I am a woman, a young woman, and I'm not felling very well.