Editor
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections.[2] Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
Writer
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections.[2] Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
Director
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections.[2] Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
Producer
An old man remembers the troubled relationship he had with his mother, the erotic games, and the fantasies in which she managed to trap him.
Producer
Film critic Tony Rayns interviews Lino Brocka and other prominent Filipino filmmakers.
Producer
History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.
Producer
Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.
Producer
Producido inicialmente para emitirse en televisión, en este trabajo Jean-Luc Godard habla sobre la práctica del cine y se pregunta sobre el origen de la creatividad. (FILMAFFINITY)
Director
Nine girls turn up at a Kensington studio for a supposed screen test to 'show what they can do'. In fact the test becomes the film, a candid camera.
Director
Soul in a White Room was filmed by Simon Hartog around autumn 1968. Music on the soundtrack is Cousin Jane by the Troggs. The man is Omar Diop-Blondin, the woman I don't recall her name. Omar was a student active in 1968 diromg 'les evenement de Mai et de Juin' at the Faculte de Nanterre, Universite de Paris. Around this time, Godard was in London shooting Sympathy For The Devil / One Plus One with the Stones and Omar was here for that too, appearing with Frankie Y (Frankie Dymon) and the other black panthers in London.... Maybe Michael X too. After returning to Senegal, Omar was imprisoned and killed in custody in '71 or '72. I believe his fate is well known to the Senegalese people.
