Cristián Sánchez
Nacimiento : 1951-06-19, Santiago
Historia
Luis Cristián Sánchez Garfias (Santiago, June 19, 1951) is a Chilean director, screenwriter and film scholar. He studied, like several other filmmakers of his generation, at the School of Communication Arts of the Universidad Católica before the dictatorship. His films, all low-budget, have generally had little public diffusion, both because of their airtight content and because of the scarce support in the official distribution circuits. They have, however, enjoyed a positive reception at international festivals in Havana, Berlin, Biarritz and Nantes. It can be said that their cinema is "underground"; it is, in their own words, "a cinema of affective image, or of image-pulsion, in the manner of Buñuel". In his work he seeks to reveal "mythical relationships", since, in his opinion, "to reach a higher degree of complexity, cinema must deal with myth". He proclaims his affinity with what Raúl Ruiz does, although he differentiates himself from him - he says - because his cinema "is baroque" while his is more inclined towards an "asceticism of the image, and a more classical structure, of linear narration".
Screenplay
The film centers on a town in Santiago, where Juan Luis Godoy, a worker who dabbles in literature, has a verbal confrontation with a novelist (Waldo Rojas) who, representing Editorial Quimantú, has gone to propose to the villagers a literary workshop where they would study Georg Lukács, socialist realism, superstructure and class consciousness, among other theoretical issues. Godoy, for whom the important thing is not the technique but the creation, discusses this offer but, in the end, the project is approved.
Director
The film centers on a town in Santiago, where Juan Luis Godoy, a worker who dabbles in literature, has a verbal confrontation with a novelist (Waldo Rojas) who, representing Editorial Quimantú, has gone to propose to the villagers a literary workshop where they would study Georg Lukács, socialist realism, superstructure and class consciousness, among other theoretical issues. Godoy, for whom the important thing is not the technique but the creation, discusses this offer but, in the end, the project is approved.
Editor
A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.
Editor
An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.
Production Design
A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.
Screenplay
An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.
Screenplay
A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.
Director
A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.
Producer
An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.
Director
An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.
Screenplay
Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.
Director
Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.
Executive Producer
Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.
Editor
Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.
Screenplay
Pancho and José Santos, bandits from Teno, known by their fondness of tearing their enemies' faces, meet after four years for another robbery. After re-telling their adventures, they cross paths with Saturnino who has old accounts to settle with them.
Director
Pancho and José Santos, bandits from Teno, known by their fondness of tearing their enemies' faces, meet after four years for another robbery. After re-telling their adventures, they cross paths with Saturnino who has old accounts to settle with them.
Editor
Cautiverio Feliz representa un proceso de mutilación étnica al revés. El secreto devenir indígena del joven hispanocriollo Francisco Núñez de Pineda y Bascuñán que desgarrado entre dos sentires reivindica, desde la madurez, el tiempo de juventud más intenso y revelador, los seis meses de cautiverio entre los mapuches donde aprendió a conocer que los supuestos bárbaros eran más humanos que los civilizados. Francisco Núñez de Pineda es el primer escritor chileno que a mediados del siglo XVII no sólo comprende que la patria tiene dos rostros, el hispano y el indígena, sino que además el proyecto político de la administración colonial, promueve una guerra injusta, inútil e imposible de ganar.
Screenplay
Cautiverio Feliz representa un proceso de mutilación étnica al revés. El secreto devenir indígena del joven hispanocriollo Francisco Núñez de Pineda y Bascuñán que desgarrado entre dos sentires reivindica, desde la madurez, el tiempo de juventud más intenso y revelador, los seis meses de cautiverio entre los mapuches donde aprendió a conocer que los supuestos bárbaros eran más humanos que los civilizados. Francisco Núñez de Pineda es el primer escritor chileno que a mediados del siglo XVII no sólo comprende que la patria tiene dos rostros, el hispano y el indígena, sino que además el proyecto político de la administración colonial, promueve una guerra injusta, inútil e imposible de ganar.
Director
Cautiverio Feliz representa un proceso de mutilación étnica al revés. El secreto devenir indígena del joven hispanocriollo Francisco Núñez de Pineda y Bascuñán que desgarrado entre dos sentires reivindica, desde la madurez, el tiempo de juventud más intenso y revelador, los seis meses de cautiverio entre los mapuches donde aprendió a conocer que los supuestos bárbaros eran más humanos que los civilizados. Francisco Núñez de Pineda es el primer escritor chileno que a mediados del siglo XVII no sólo comprende que la patria tiene dos rostros, el hispano y el indígena, sino que además el proyecto político de la administración colonial, promueve una guerra injusta, inútil e imposible de ganar.
Editor
An apparently superficial geologist leaves a wayward history student and proposes to a nudist neighbour.
Producer
An apparently superficial geologist leaves a wayward history student and proposes to a nudist neighbour.
Writer
An apparently superficial geologist leaves a wayward history student and proposes to a nudist neighbour.
Director
An apparently superficial geologist leaves a wayward history student and proposes to a nudist neighbour.
Editor
A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.
Executive Producer
A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.
Screenplay
A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.
Director
A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.
Assistant Director
A cyclist decides to go for everything and win the 'Tour of Chile' Race, so he can finance the medical treatment for his ill mother with the prize. However, he must soon recognize that the sporting event is corrupted by commercial and marketing interests, in addition to the political goals of the military regime.
Producer
"Dinamita" Araya is living the crudeness of normality in an uneventful life since he retired from boxing. A chance encounter with a woman brings him back to life. The other round now takes place on life itself.
Writer
"Dinamita" Araya is living the crudeness of normality in an uneventful life since he retired from boxing. A chance encounter with a woman brings him back to life. The other round now takes place on life itself.
Director
"Dinamita" Araya is living the crudeness of normality in an uneventful life since he retired from boxing. A chance encounter with a woman brings him back to life. The other round now takes place on life itself.
Editor
Erre, un adolescente que vive con sus tíos y una hermana casi ausente, es borrado de la nómina del liceo. De ahí en adelante se desliza como un autómata, por lugares donde la extrañeza apenas se oculta bajo una apariencia de normalidad. Este Afuera desnudo lo arrastra hacia lo desconocido. Lo envuelve en situaciones dominadas por un aire de locura, ambiguos rituales olvidados, relaciones eróticas imposibles y un abrupto y misterioso crimen. De este viaje al final de la noche nace un clima de perturbación llevado al extremo, que revela la singularidad de un universo donde ninguna existencia puede arraigarse.
Writer
Erre, un adolescente que vive con sus tíos y una hermana casi ausente, es borrado de la nómina del liceo. De ahí en adelante se desliza como un autómata, por lugares donde la extrañeza apenas se oculta bajo una apariencia de normalidad. Este Afuera desnudo lo arrastra hacia lo desconocido. Lo envuelve en situaciones dominadas por un aire de locura, ambiguos rituales olvidados, relaciones eróticas imposibles y un abrupto y misterioso crimen. De este viaje al final de la noche nace un clima de perturbación llevado al extremo, que revela la singularidad de un universo donde ninguna existencia puede arraigarse.
Director
Erre, un adolescente que vive con sus tíos y una hermana casi ausente, es borrado de la nómina del liceo. De ahí en adelante se desliza como un autómata, por lugares donde la extrañeza apenas se oculta bajo una apariencia de normalidad. Este Afuera desnudo lo arrastra hacia lo desconocido. Lo envuelve en situaciones dominadas por un aire de locura, ambiguos rituales olvidados, relaciones eróticas imposibles y un abrupto y misterioso crimen. De este viaje al final de la noche nace un clima de perturbación llevado al extremo, que revela la singularidad de un universo donde ninguna existencia puede arraigarse.
Editor
Un taxista encuentra a Marlene, una niña provinciana, perdida en un burdel. Inmediatamente decide protegerla y la instala en su casa. Poco a poco, su afecto paternal se transforma en una extraña pasión soterrada. Finalmente el chofer termina habitando en la maleta de su propio taxi, mientras Marlene declara que desea irse a vivir con él para siempre. El primer largometraje dirigido en solitario por Cristián Sánchez fue hecho en plena dictadura y busca captar aquel ambiente extraviado, confuso de tal época.
Story
Un taxista encuentra a Marlene, una niña provinciana, perdida en un burdel. Inmediatamente decide protegerla y la instala en su casa. Poco a poco, su afecto paternal se transforma en una extraña pasión soterrada. Finalmente el chofer termina habitando en la maleta de su propio taxi, mientras Marlene declara que desea irse a vivir con él para siempre. El primer largometraje dirigido en solitario por Cristián Sánchez fue hecho en plena dictadura y busca captar aquel ambiente extraviado, confuso de tal época.
Screenplay
Un taxista encuentra a Marlene, una niña provinciana, perdida en un burdel. Inmediatamente decide protegerla y la instala en su casa. Poco a poco, su afecto paternal se transforma en una extraña pasión soterrada. Finalmente el chofer termina habitando en la maleta de su propio taxi, mientras Marlene declara que desea irse a vivir con él para siempre. El primer largometraje dirigido en solitario por Cristián Sánchez fue hecho en plena dictadura y busca captar aquel ambiente extraviado, confuso de tal época.
Director
Un taxista encuentra a Marlene, una niña provinciana, perdida en un burdel. Inmediatamente decide protegerla y la instala en su casa. Poco a poco, su afecto paternal se transforma en una extraña pasión soterrada. Finalmente el chofer termina habitando en la maleta de su propio taxi, mientras Marlene declara que desea irse a vivir con él para siempre. El primer largometraje dirigido en solitario por Cristián Sánchez fue hecho en plena dictadura y busca captar aquel ambiente extraviado, confuso de tal época.
Director
In a parallel universe, where a sauna bath represents the policies of ancient Rome, the poet Gómez Rojas and a group of Socialist men try to free their fellow prisoners from the judge, tyrant and teacher, Astorquiza.
Screenplay
A former public-services worker wants to return to his job. In the attempt, he meets wandering people, who seek "parallel ways" of survival in a chaotic socio-political context in Chile, after the 1973 Coup d'état .
Director
A former public-services worker wants to return to his job. In the attempt, he meets wandering people, who seek "parallel ways" of survival in a chaotic socio-political context in Chile, after the 1973 Coup d'état .
New Love is a non-linear film that consist in succession of sequences showing the world of young people of the late sixties.Deeply focused on the hippie culture in Chile.
