Alessandra Negrini

The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.

A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.

Leandra is in her mid-30s: she wants to get married and have children, but she does not have a boyfriend. Her sister, Sonia, is married and has two children, but all she wants is a night of fun with her best friend, Marinati - a workaholic lawyer who went to fall in love just when her career is on the rise. Marinati is Keka's boss, who is looking forward to the trip she's scheduled to save her marriage.

La biografía del Youtuber brasileño Christian Figueiredo

A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

Afrânio is a retired voice actor. Lonely and tormented by memories of his childhood. In her small apartment, looking for a way to re-integrate into society.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.

Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.

A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova

The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

La historia de dos parejas que son vecinas y los problemas matrimoniales provocados por la llegada inesperada de dos personajes importantes de su pasado. La primera pareja, Carlos y Ana, viven en el séptimo piso de un edificio. Ana siente que tiene derecho a más amor de lo que su esposo está dispuesto a dar. De repente, un viejo amigo, Tomás, reaparece después de muchos años y se queda en su casa. Andréa y Miguel viven en el edificio del otro lado de la calle y también atraviesan una crisis matrimonial. En una fiesta, conocen a Cláudia, la primera novia de Miguel, y ella no tiene un lugar donde quedarse. Naturalmente, la invitan a dormir en su casa. La presencia de los dos recién llegados causará muchos cambios en sus relaciones.

Claudia Maccari, an Italian doctor who has a Brazilian adopted son suffering from leukemia, goes to Rio de Janeiro to find the child's biological mother for a transplant. She is reluctantly helped by a Detective.

Brasil, 1969. Fernando y Cezar son dos jóvenes idealistas que han decidido unirse al Movimiento Revolucionario Ocho de Octubre. Artur lo considera una idea descabellada y peligrosa y no se deja convencer por sus amigos. Pronto, los chicos descubren que unirse al grupo significa cambiar de identidad y renunciar a vivir con sus familias. La organización los utilizará para secuestrar al embajador norteamericano en Brasil.