Ina Marija Bartaitė

Ina Marija Bartaitė

Nacimiento : 1996-05-02, Lithuania

Muerte : 2021-04-07

Historia

Ina Marija Bartaitė (2 May 1996 – 7 April 2021) was a Lithuanian film actress. She was known for, among others, Peace to Us in Our Dreams and Seneca's Day. Since a young age Bartaitė has been following her fathers, Šarūnas Bartas, footsteps acting in many films and accompanying her father to many award ceremonies. The first film Bartaitė has ever appeared in was Visions of Europe. An anthology film with a collection of short film projects by different directors. Her own father directed and wrote the segment "Children Loose Nothing" which Bartaitė had played in. In 2016 at the Vilnius International Film Festival Kino pavasaris, Bartaitė was nominated for Best Lithuanian Actress for the role in Peace to Us in Our Dreams. As of recently, Bartaitė had played a role in Bojena Horackova film Walden. It is a story about young girl Jana, played by Bartaitė, who after twenty-five years of exile in Paris returns to Vilnius, wanting to find the lake that Paulius, her first lover, called "Walden". Bartaitė finished her high school years in Vilnius, and then went on to study in Vilnius University for French Philology. She then went on to study acting in Paris. At the time of her death, Bartaitė lived at Valakampiai with her ill grandmother that had raised her since birth. In an interview Bartaitė had stated that she spoke French and that she traveled to Paris often, as her sister Anastasija lived there with whom she spoke French. She also stated in the same interview that she had never thought to become an actress, not until her father suggested to be in one of his films, stating "It was an idea to live out, and I decided to join in on". She was the only daughter of Šarūnas Bartas and Yekaterina Golubeva. Bartaitė died at the scene of a traffic collision on 7 April 2021, aged 24.

Perfil

Ina Marija Bartaitė
Ina Marija Bartaitė

Películas

Walden
Jana lycéenne
After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.
Our men
Nika
Nika, de poco más de veinte años, deja Ucrania para seguir a su novio Vlad, un soldado recién llegado con base en un campamento militar en Córcega. Nika entonces conoce a Celine, esposa del Comandante Maxime, quien la guiará a través del codificado mundo de los esposos de las mujeres que se quedan. Mientras Vlad se obsesiona con la vida del legionario, Nika y Céline se ven afectadas por la distancia y el sacrificio de lo que esperaban fuera una vida familiar tradicional.
Seneca's Day
Vakare
Seneca’s Day is set in the year 1989, the final period of the Soviet era in Lithuania. Eighteen-year old buddies establish the Seneca’s Fellowship with the motto “Live each day as if it was your last”. A love triangle breaks up the fellowship right at the time the nation experiences an exceptional sense of community via Baltic Chain.Twenty-five years later, the main character who at first glance appears to be accompanied by good luck, is disillusioned with himself. He has betrayed the ideals of his youth and become a cold observer of life.
Paz en nuestros sueños
En pleno verano un hombre viudo decide viajar al campo con su hija adolescente y con una violinista desequilibrada con la que mantiene una complicada relación sentimental. Allí la joven de dieciséis años intenta evadirse de la crisis familiar y de la soledad que siente. Pero la llegada de los tres al lugar, junto con un rifle robado a unos cazadores por el único amigo que hace la chica, desembocan en un momento vital para sus vidas y la de las personas con las que se cruzan
Children Lose Nothing
A miniature movie, kids inhabit the landscape and communicate through the river, the sky, the air.
Visiones de Europa
(segment "Lithuania: Children Lose Nothing")
Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.