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Helen Morgan

Helen Morgan

Nacimiento : 1900-08-02, Danville, Illinois, USA

Muerte : 1941-10-09

Historia

From Wikipedia, the free encyclopedia Helen Morgan (August 2, 1900 – October 9, 1941) was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s. She starred as Julie LaVerne in the original Broadway production of Hammerstein and Kern's musical Show Boat in 1927, as well as in the 1932 Broadway revival of the musical, and appeared in two film adaptations, a part-talkie made in 1929 (prologue only) and a full-sound version made in 1936, becoming firmly associated with the role. She suffered from bouts of alcoholism, and despite her notable success in the title role of another Hammerstein and Kern's Broadway musical, Sweet Adeline (1929), her stage career was relatively short. Helen Morgan died of cirrhosis of the liver at the age of 41. She was portrayed by Polly Bergen in the Playhouse 90 drama The Helen Morgan Story and by Ann Blyth in the 1957 biopic based on the television drama. Morgan appeared in at least 15 films including Show Boat 1929, Applause 1929, Marie Galante 1934 and Show Boat 1936.

Perfil

Helen Morgan

Películas

Musical Comedy Tonight III

Musical Comedy Tonight III

Sylvia Fine hosts this musical show featuring some great American singing and dancing stars, featuring music by Gershwin, Rodgers & Hart, Berlin and Kern.

Julie LaVerne

Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

Frankie and Johnnie

Frankie and Johnnie

Frankie

The story of a woman, Frankie, and the man who has done her wrong, Johnnie.

Casino de París

Casino de París

Luana Wells

La Leyenda de ”Broadway”, Al Jonson, y su segunda esposa Ruby Keeler, protagonizan este bello musical sobre una historia de bastidores. Recogiendo el mismo estilo que desarrolló en sus primeras películas, nuestro protagonista interpreta a un artista irresponsable, cuyas artimañas no profesionales acaban en una revuelta de sus propios compañeros de trabajo, hasta que la dirección lo despide del espectáculo.

Herself

A midwest band leader and his lead singer share a love-hate relationship as they try for success in New York.

MissTapia

María Galante, una joven e ingenua telefonista francesa, es raptada por un capitán que la desembarca en Yucatán, dejándola abandonada a su suerte. Con grandes dificultades, María llega a la zona del Canal de panamá, donde encuentra trabajo como cantante en un café.

You Belong to Me

You Belong to Me

Bonnie Kay

When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap.

Hollywood on Parade No. B-1

Hollywood on Parade No. B-1

Short film in which Frankie Darro as a Telegram delivery boy visits various Hollywood locations to make deliveries. He visits the Los Angeles Pier and a Gala Hollywood Premiere.

The Gigolo Racket

The Gigolo Racket

Helen Marlowe

As a publicity stunt, a musical comedy star announces her engagement to a young man she believes is a gigolo, with whom she eventually falls in love.

Roadhouse Nights

Roadhouse Nights

Lola Fagan

Based on the Hammett novel, this ultra-rare film—is nominally taken from the author's classic gang-war novel Red Harvest, which proved too brutal and cynical even for pre-Code Hollywood.

Glorifying the American Girl

Glorifying the American Girl

Self

A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.

Kitty Darling

This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's footsteps.

Julie LaVerne [prologue]

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Six Cylinder Love

Six Cylinder Love

Extra (uncredited)

After buying a car, Richard Burton finds that his wife and daughter have become unreasonably extravagant, and is surrounded by sponging friends.