Sébastien Laudenbach

Paulette realizes she has unfairly punished her daughter Linda. To make up for it, she promises to cook her a chicken with peppers, even though she cannot cook at all. But where to find a chicken on a strike day, when all the shops are closed?

Paulette realizes she has unfairly punished her daughter Linda. To make up for it, she promises to cook her a chicken with peppers, even though she cannot cook at all. But where to find a chicken on a strike day, when all the shops are closed?

Paulette realizes she has unfairly punished her daughter Linda. To make up for it, she promises to cook her a chicken with peppers, even though she cannot cook at all. But where to find a chicken on a strike day, when all the shops are closed?

School is over. Benjamin is five years old and goes on vacation to the sea with his mother and 12-year-old sister. "A comme Azur" is the chronicle of this summer which unfolds all the letters of the alphabet.

School is over. Benjamin is five years old and goes on vacation to the sea with his mother and 12-year-old sister. "A comme Azur" is the chronicle of this summer which unfolds all the letters of the alphabet.

An epileptic director trying to make a film about the life of famed Romanian actor Elina Löwensohn discovers that her real-life subject bears little resemblance to the star she idolized.

By Sébastien Laudenbach

By Sébastien Laudenbach

Architect Charles Garnier's widow recounts her intimate past deep in the recesses of the velvet and gold Palais Garnier.

Architect Charles Garnier's widow recounts her intimate past deep in the recesses of the velvet and gold Palais Garnier.

Basado en uno de los cuentos menos conocidos de los hermanos Grimm, "La niña sin manos" es un trabajo de animación entre la estampa y el teatro de sombras, tintado de poesía, con un uso fauvista del color, manchas delicadas y expresivas rayas que recuerdan la caligrafía japonesa.

Basado en uno de los cuentos menos conocidos de los hermanos Grimm, "La niña sin manos" es un trabajo de animación entre la estampa y el teatro de sombras, tintado de poesía, con un uso fauvista del color, manchas delicadas y expresivas rayas que recuerdan la caligrafía japonesa.

Basado en uno de los cuentos menos conocidos de los hermanos Grimm, "La niña sin manos" es un trabajo de animación entre la estampa y el teatro de sombras, tintado de poesía, con un uso fauvista del color, manchas delicadas y expresivas rayas que recuerdan la caligrafía japonesa.

Basado en uno de los cuentos menos conocidos de los hermanos Grimm, "La niña sin manos" es un trabajo de animación entre la estampa y el teatro de sombras, tintado de poesía, con un uso fauvista del color, manchas delicadas y expresivas rayas que recuerdan la caligrafía japonesa.

As any pretty plant, Daphne buds, opens, fills with fragrance and loses leaves. But is never allowed pick. Combining animation and continuous shooting, Daphne or the lovely specimen is a documentary painting the portrait of an unchaste and sensitive woman who speaks to us first about her body then about her heart. Without waffle.

As any pretty plant, Daphne buds, opens, fills with fragrance and loses leaves. But is never allowed pick. Combining animation and continuous shooting, Daphne or the lovely specimen is a documentary painting the portrait of an unchaste and sensitive woman who speaks to us first about her body then about her heart. Without waffle.

Alexandre Schmitdt, arquitecto francés poseedor de una brillante carrera, y su mujer, Aliénor, socióloga especializada en contextos sociales difíciles, es una pareja que comparte una inquietud profunda sobre sus respectivos oficios. Entre ellos se ha creado un silencio que puede acabar comprometiendo de forma irreversible su relación. Consciente de la necesidad de salir de esa situación, Alexandre decide retomar un proyecto importante para él pero abandonado hace ya demasiado tiempo: escribir un texto sobre el arquitecto barroco Francesco Borromini. Necesitada de tomar distancias con su propio trabajo, Aliénor decide acompañarlo, pero en Stresa sus destinos se separan momentáneamente para volver a reunirse, en una especie de renacimiento final absolutamente necesario.

Chloe is a young woman who leads a small and happy life, letting herself be happily by the things of life... with a certain nonchalance. But visceral physical pain makes herself bend little by little. Where does this mysterious illness come from? Will Chloe succeed in getting rid of it ?

Clémence is confined to her bed. Her future calls out to her, showing her places, people, and glimpses of other lives. But how can this future be realized if she remains bedridden? She must sift through her past and revisit a childhood that was not so happy after all, a time when danger could arise at any moment.

Clémence is confined to her bed. Her future calls out to her, showing her places, people, and glimpses of other lives. But how can this future be realized if she remains bedridden? She must sift through her past and revisit a childhood that was not so happy after all, a time when danger could arise at any moment.

You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go, Vasco?

You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go, Vasco?

Oana is working. I am watching her. Tonight, the very last file will be closed. She does not want to translate the words of others anymore. She thinks that tomorrow she will start writing her own words. But she will not, I know that…

Oana is working. I am watching her. Tonight, the very last file will be closed. She does not want to translate the words of others anymore. She thinks that tomorrow she will start writing her own words. But she will not, I know that…

Stan and Léa stopped living together a few months ago. However, Léa asks Stan to spend one last night together like a Proustian madeleine.

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

Andalusia, 1840. Back in his hometown of Seville after 3 years of peddling, 13-year-old Salva, assistant to a blind knife-grinder, meets Carmen, a 20-year-old gypsy woman with a captivating voice. After hearing a prediction that she is doomed to die, he calls on his friend Belén (aged 15) and her small troop of street urchins to help him save the young gypsy. His quest takes them to Lillas Pastia’s tavern, through the narrow winding streets of Seville, across orange roofs and into the dyeing factory with its plethora of pigments; it leads them to an old mine and the misty gypsy camp, the bullfighting square Plaza de Toros, and the galleons moored in the harbor. But as they go about their mission, will they find a way to stop the tragic fate the fiery gypsy Carmen is destined to endure?

Andalusia, 1840. Back in his hometown of Seville after 3 years of peddling, 13-year-old Salva, assistant to a blind knife-grinder, meets Carmen, a 20-year-old gypsy woman with a captivating voice. After hearing a prediction that she is doomed to die, he calls on his friend Belén (aged 15) and her small troop of street urchins to help him save the young gypsy. His quest takes them to Lillas Pastia’s tavern, through the narrow winding streets of Seville, across orange roofs and into the dyeing factory with its plethora of pigments; it leads them to an old mine and the misty gypsy camp, the bullfighting square Plaza de Toros, and the galleons moored in the harbor. But as they go about their mission, will they find a way to stop the tragic fate the fiery gypsy Carmen is destined to endure?

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.