João Castelo Branco

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

En el medio de unas vacaciones familiares, Pablo vive un inesperado reencuentro que actualiza un trauma de su niñez. Confrontado con la ironía de la casualidad, inicia un perturbador retorno a los paisajes de su infancia, arrastrando en su proceso a su compañera Kelly y a su hijo João.

Documentary that combines drawings made by a group of children and the stories they create to accompany them.

In 2011, I visited Mrs. Deni Prata Jardim, the last representative of the Casa das Minas (House of Minas) in Northern Brazil. Among other things, Deni told me the story of the foundation of the house, during the slavery period. Among the slaves, there was a priestess from Dahomey, where she used to be a queen, and worshiped African voodoos. Lacking authorization to practice their worship, the slaves hid in a shed, which has become over the years the House of Minas.

In 2011, I visited Mrs. Deni Prata Jardim, the last representative of the Casa das Minas (House of Minas) in Northern Brazil. Among other things, Deni told me the story of the foundation of the house, during the slavery period. Among the slaves, there was a priestess from Dahomey, where she used to be a queen, and worshiped African voodoos. Lacking authorization to practice their worship, the slaves hid in a shed, which has become over the years the House of Minas.

There’s a myth that suggests the ghost of the 16th-century Portuguese king Don Sebastiaan founded a magical kingdom on the island of Lençóis off the Brazilian coast after his defeat against the Moors. Five centuries later, a young Portuguese woman (and a small film crew) arrives there. The island is still enchanting.

A Portuguese king who disappeared in the desert of Morocco in the sixteenth century comes forward. Under the threat of having to return to Portugal in the XXI century, Dom Sebastian reveals his whereabouts and the secrets of the kingdom he built over all these years in faraway Ilha de Lençóis in Northeastern Brazil.

A Portuguese king who disappeared in the desert of Morocco in the sixteenth century comes forward. Under the threat of having to return to Portugal in the XXI century, Dom Sebastian reveals his whereabouts and the secrets of the kingdom he built over all these years in faraway Ilha de Lençóis in Northeastern Brazil.

In a preschool class at the outskirts of the city, children of four and five years-old draw and paint

Bolpebra, on the border of Bolivia, Peru, and Brazil, has 40 inhabitants and has just installed its central square.