Ciro Durán

Ciro Durán

Nacimiento : 1937-12-16, Convención, Norte de Santander, Colombia

Muerte : 2022-01-10

Historia

Ciro Durán (December 16, 1937 - January 10, 2022) was a Colombian filmmaker, screenwriter and producer with an extensive career that began in the 1960s. He is best known for his documentaries Gamín (1978) and La Guerra del Centavo (1985) and for his feature films La Nave de los Sueños (1996) and La Toma de la Embajada (2000), his last directorial effort. He is considered one of Colombia's most outstanding filmmakers of the 20th century. Ciro Durán studied high school at the Colegio Nacional José Eusebio Caro in Ocaña. He began university studies in Chemistry and Mathematics at the National University of Colombia in Bogota, but the theatrical environment eventually led him to devote himself to film. In Caracas, where he lived from 1961 to 1967, he studied Film and Theater with the renowned theater director and filmmaker Román Chalbaud. His debut as a director and producer was in 1962 when he shot the medium-length film "La paga" in Venezuela, based on an original script about the peasant struggle. As a result of this production, Durán was hired in 1968 to direct the Colombian-Venezuelan co-production "Aquileo Venganza", entirely filmed in Villa de Leyva, Colombia, a western framed in the Thousand Days War about land dispossession. From there he moved to Bogota where he produced several internationally awarded documentary shorts, such as "Corralejas de Sincelejo y Tayrona" co-directed with Joyce Ventura. After several years working on the issue of abandoned children, in 1978 his production company released "Gamín", a feature documentary that follows the lives of several minors living on the streets of Bogota, from the youngest to the oldest. "Gamín" was awarded several prizes such as the Donostia prize for best director at the San Sebastian Film Festival and was premiered at the Cannes Film Festival. It was also shown in cinemas and television channels in France, the United Kingdom and Germany, among others. After making "Children of Two Worlds" (made in Germany GDR 1979) and a second feature documentary in co-production with Germany, "The Penny War" and "Comment vont les enfants. Carmelo" co-directed with Jean-Luc Godard, Anne-Marie Miéville, Lino Brocka, Rolan Bykov, Jerry Lewis and Euzhan Palcy, Durán went on to make fiction feature films, including the Paramount Pictures production "Nieve Tropical" with Madeleine Stowe and David Carradine, "La nave de los sueños" and "La toma de la embajada", a political film about the seizure of the Dominican Republic embassy by the M-19 guerrilla group. He has also been a juror in several film competitions such as the Leipzig Film Festival 1978, Moscow 1981, Montreal 1984, being considered today as one of the most outstanding Colombian filmmakers of the twentieth century. On January 28, 1997, Durán returned to Convención and Ocaña after many years of absence to present his film La nave de los sueños, which was screened at the Leonelda Cinema in the presence of José Antonio Amaya Martínez.

Perfil

Ciro Durán
Ciro Durán

Películas

La toma de la embajada
Writer
La película da comienzo a partir del momento del asalto que un comando del grupo guerrillero M-19 realiza a la Embajada de la República Dominicana en BogotḠcuando se celebraba la fiesta nacional. De esta forma son retenidos numerosos diplomáticos¸ entre ellos el embajador de los Estados Unidos. Se recrean las relaciones entre secuestradores y rehenes¸ y las negociaciones con el gobierno para lograr su liberación.
La toma de la embajada
Director
La película da comienzo a partir del momento del asalto que un comando del grupo guerrillero M-19 realiza a la Embajada de la República Dominicana en BogotḠcuando se celebraba la fiesta nacional. De esta forma son retenidos numerosos diplomáticos¸ entre ellos el embajador de los Estados Unidos. Se recrean las relaciones entre secuestradores y rehenes¸ y las negociaciones con el gobierno para lograr su liberación.
Juegos Bajo la Luna
Associate Producer
This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.
Juegos Bajo la Luna
Screenplay
This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.
La nave de los sueños
Screenplay
Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".
La nave de los sueños
Director
Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".
How Are The Kids
Director
A UNICEF-sponsored six-film anthology depicting childhood horrors around the world. "Hassane" - a malnourished child in Niger needs help from the doctors, but village traditions prohibit it. "Liouba" - a child escapes to the forest after a beating by his alcoholic mother, but the games he plays in the forest mirror his troubles at home. "Boy" - a child faces discrimination as the only white student at his school. "Carmelo" - in Bogota a child living on the streets fights to survive. "Oca" - when his twelve year old brother dies free-diving in the Philippines, seven year old Oca must take his place on the job. "L'enfance de l'art" - children living and playing in a war zone are touched by violence.
Tropical Snow
Writer
New York is the dream city of Tavo and Marina, where the lovers hope to start a better life; at home in Bogota they have to work as pocket pickers at the airport to support their families. Dealer Oskar can persuade them to smuggle drugs in their stomachs on plane to New York - although both know of the risks, since Marina's sister died on a similar journey. However on arrival at the airport in New York they show nerves and all their dreams start to shatter.
Tropical Snow
Director
New York is the dream city of Tavo and Marina, where the lovers hope to start a better life; at home in Bogota they have to work as pocket pickers at the airport to support their families. Dealer Oskar can persuade them to smuggle drugs in their stomachs on plane to New York - although both know of the risks, since Marina's sister died on a similar journey. However on arrival at the airport in New York they show nerves and all their dreams start to shatter.
La Guerra del Centavo
Writer
Los chóferes del transporte público urbano en Bogotá no perciben un salario fijo¸ tan sólo un porcentaje por pasajero recogido. A través del testimonio de dos campeones de esta guerra diaria¸ se muestra una cotidianidad ingrata¸ angustiosa y peligrosa¸ tanto para los usuarios como para los mismos conductores¸ y de la cual los únicos que se benefician son los grandes empresarios del transporte¸ verdaderos artífices de una cruenta guerra en la que el Estado es apenas un espectador indolente.
La Guerra del Centavo
Director
Los chóferes del transporte público urbano en Bogotá no perciben un salario fijo¸ tan sólo un porcentaje por pasajero recogido. A través del testimonio de dos campeones de esta guerra diaria¸ se muestra una cotidianidad ingrata¸ angustiosa y peligrosa¸ tanto para los usuarios como para los mismos conductores¸ y de la cual los únicos que se benefician son los grandes empresarios del transporte¸ verdaderos artífices de una cruenta guerra en la que el Estado es apenas un espectador indolente.
La Guerra del Centavo
Cinematography
Los chóferes del transporte público urbano en Bogotá no perciben un salario fijo¸ tan sólo un porcentaje por pasajero recogido. A través del testimonio de dos campeones de esta guerra diaria¸ se muestra una cotidianidad ingrata¸ angustiosa y peligrosa¸ tanto para los usuarios como para los mismos conductores¸ y de la cual los únicos que se benefician son los grandes empresarios del transporte¸ verdaderos artífices de una cruenta guerra en la que el Estado es apenas un espectador indolente.
Gamín
Editor
SINOPSIS Trata el tema de los “gamínes”¸ niños de la calle¸ que han roto todo lazo familiar y que reagrupados tratan de sobrevivir. PREMIOS NACIONALESBuho de oro en el 4° Festival de Cine del Instituto Colombiano de Cultura - Colcultura (Colombia) 1979¸PARTICIPACIÓN EN FESTIVALESPremio del Jurado “Colón de oro” y Premio de la Asociaci?n de Periodistas del Espectáculo - APE en el 4° Festival de Cine Iberoamericano de Huelva (España) 1977¸ Paloma de Plata en el Festival de Cine de Leipzig (Alemania) 1978¸ Seleccionada en la Quincena de los Realizadores en el Festival International du Film¸ Cannes (Francia) 1978¸ Premio Fipresci (Federación Internacional de la Prensa Cinematográfica) y Premio Donostia para nuevos realizadores en el Festival de Cine Donostia de San Sebastián (España) 1979¸
Gamín
Camera Operator
SINOPSIS Trata el tema de los “gamínes”¸ niños de la calle¸ que han roto todo lazo familiar y que reagrupados tratan de sobrevivir. PREMIOS NACIONALESBuho de oro en el 4° Festival de Cine del Instituto Colombiano de Cultura - Colcultura (Colombia) 1979¸PARTICIPACIÓN EN FESTIVALESPremio del Jurado “Colón de oro” y Premio de la Asociaci?n de Periodistas del Espectáculo - APE en el 4° Festival de Cine Iberoamericano de Huelva (España) 1977¸ Paloma de Plata en el Festival de Cine de Leipzig (Alemania) 1978¸ Seleccionada en la Quincena de los Realizadores en el Festival International du Film¸ Cannes (Francia) 1978¸ Premio Fipresci (Federación Internacional de la Prensa Cinematográfica) y Premio Donostia para nuevos realizadores en el Festival de Cine Donostia de San Sebastián (España) 1979¸
Gamín
Writer
SINOPSIS Trata el tema de los “gamínes”¸ niños de la calle¸ que han roto todo lazo familiar y que reagrupados tratan de sobrevivir. PREMIOS NACIONALESBuho de oro en el 4° Festival de Cine del Instituto Colombiano de Cultura - Colcultura (Colombia) 1979¸PARTICIPACIÓN EN FESTIVALESPremio del Jurado “Colón de oro” y Premio de la Asociaci?n de Periodistas del Espectáculo - APE en el 4° Festival de Cine Iberoamericano de Huelva (España) 1977¸ Paloma de Plata en el Festival de Cine de Leipzig (Alemania) 1978¸ Seleccionada en la Quincena de los Realizadores en el Festival International du Film¸ Cannes (Francia) 1978¸ Premio Fipresci (Federación Internacional de la Prensa Cinematográfica) y Premio Donostia para nuevos realizadores en el Festival de Cine Donostia de San Sebastián (España) 1979¸
Gamín
Director
SINOPSIS Trata el tema de los “gamínes”¸ niños de la calle¸ que han roto todo lazo familiar y que reagrupados tratan de sobrevivir. PREMIOS NACIONALESBuho de oro en el 4° Festival de Cine del Instituto Colombiano de Cultura - Colcultura (Colombia) 1979¸PARTICIPACIÓN EN FESTIVALESPremio del Jurado “Colón de oro” y Premio de la Asociaci?n de Periodistas del Espectáculo - APE en el 4° Festival de Cine Iberoamericano de Huelva (España) 1977¸ Paloma de Plata en el Festival de Cine de Leipzig (Alemania) 1978¸ Seleccionada en la Quincena de los Realizadores en el Festival International du Film¸ Cannes (Francia) 1978¸ Premio Fipresci (Federación Internacional de la Prensa Cinematográfica) y Premio Donostia para nuevos realizadores en el Festival de Cine Donostia de San Sebastián (España) 1979¸
Aquileo Venganza
Director
In the begining of 20th century, after the "thousand days war", the country was devastated. Gunmen to the service of land lords attack small land owners to get their lands. Aquileo is the only one who survives, and promises to take revenge on the killers.