Director
During a misfire, Gabriel and Raphael, two robbers Sunday, escape by accidentally kidnapping Paloma, an 8-year-old girl. Michel, an experienced cop, makes it a point of honor to stop the two men and recover the girl. Soon Gabriel and Raphael discover that the girl is not alone. Paco, her imaginary "friend", accompanies her and protects her against a heavy secret - Paloma is a child beaten by her parents. They now have the choice: to make the girl to these executioners and be bastards, where to keep with them and pass for bastards.
Polo
The sequel of Lady Bar follows Jean and Pat opening a match-making resort on a beautiful Thai island while Jean's friend Polo finds himself soul-searching in a buddhist monastry.
Polo (as Bruno Lopez)
Jean and Polo are two old friends who decide to go to Thailand to change their minds.
Convive photographe
Lucien Macrois, un magnate de la comunicación, contrata a Clélia, una joven y talentosa fotógrafa, para mejorar la imagen de su grupo empresarial. En constante oposición con el mundo que lo rodea, Clève, un editor de 35 años, honrado y comprometido con la calidad literaria, se enamora de Clélia. Hechizada por su torpeza e ingenuidad, Clélia acepta su proposición de matrimonio. Sin embargo, cuando conoce a Nemo, un joven fotógrafo especializado en reportajes duros e impactantes, se da cuenta de que comparten el mismo amor y pasión por la imagen.
Kurdish expert Hiner Saleem (Shero) wrote and directed this French comedy-drama, set inside the 100,000-population Kurdish community in Paris. The original French title translates as "Long Live the Bride...and the Liberation of Kurdistan." Cheto (Georges Corraface) seeks a wife via videotapes while still seeing his French girlfriend, immigration office worker Christine (Stephanie Lagarde). Cheto places an order for a beautiful girl, but he's disappointed when her sister, country girl Mina (Marina Kobakhidze), arrives at the airport as a substitute. Family pressure forces him to marry her. Unhappy with the way she's treated by Cheto, Mina acquires some progressive notions from Leila (Schahla Aalam) and other local feminists, leading to confrontations with Cheto.
