Aurelle Doazan

At the time Portugal presented a strange spectacle to the rest of Europe. D. Afonso VI, son of the fortunate D. João de Bragança, was in possession of the throne and was an insane imbecile. His wife, daughter of the Duke of Nemours and cousin of Louis XIV, dared hatch a plot to oust her husband from the throne. The king's stupidity justified the queen's bravado. Despite being master of unusual strength and having slept with his wife for a long time, she accused him of being impotent. Marie Françoise had acquired through artfulness what Afonso had lost in anger in the kingdom. She had him imprisoned ( November 1667 ) and quickly obtained a papal bull from Rome to confirm her virginity and bless her marriage to her brother-in-law Pedro. Portugal's submission for the Academy Award for Best Foreign Language Film in 1990.

Camille (Isabelle Adjani), la hermana del escritor Paul Claudel, sintió desde niña una gran pasión por el arte y en especial por la escultura a la que dedicó gran parte de su vida. El escultor Auguste Rodin (Gérard Depardieu) fue su maestro, y ella se convirtió en su musa. Entre ambos surgió una tormentosa relación amorosa plagada de crisis y rupturas. La escultora tuvo también una vida personal muy agitada: era una mujer demasiado libre e independiente que no se adaptaba a las costumbres y convencionalismos de su época. Al final de su vida, vivió como una mendiga y acabó siendo internada en un psiquiátrico por sus problemas mentales.

Neighbors overcome, Cora and John meet in the favor of an accident - a fall from the balcony of the family apartment - which has suffered the son of Cora. Taking the man responsible for the state of her child, the mother yet close to John. A strange relationship develops between them.

A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations eavesdrop.

Francois Marboni is a butcher who is being blackmailed for having an affair with the prostitute Rachel in this black comedy. He decides to hire a hit man when the blackmailer demands that he start cutting his profit margin to the bone. Francois soon becomes a target of the hitman he hired.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.

Delon encarna a un policía retirado que vive obsesionado porque no atrapó nunca al asesino de su esposa. Cuando a su hija le quitan la vida vuelve a la acción, dispuesto a llegar hasta el final con todas sus consecuencias.