Director
OBSADA means “film crew” in Polish, but can also mean “task force”. The crew here is dual purpose. First the film crew, in front of and behind the camera, who are all women – art and film students brought together for the occasion at the Sztuki Museum in Lodz.
Editor
Wendelien van Oldenborgh uses architecture both as a setting and as an investigative tool to question politics and its history.
Director
Wendelien van Oldenborgh uses architecture both as a setting and as an investigative tool to question politics and its history.
Director
Shot in a single uncut sequence, Cinema Olanda Film connects an architectural location, a number of individuals, and past and present events through a momentary filmic reality.
Director
Presented at the Dutch Pavilion at the 57th Venice Biennale.
Director
Presented at the Dutch Pavilion at the 57th Venice Biennale.
Editor
A documentary by Wendelien van Oldenborgh.
Director
A documentary by Wendelien van Oldenborgh.
Scenario Writer
Van Oldenborgh's practice explores social relations through an investigation of gesture in the public sphere. Bete & Deise brings about a meeting between veteran telenovela actress and political activist Bete Mendes and Deise Tigrona, one of the most powerful voices in Baile funk, whose song Injeção was the basis for M.I.A.'s Bucky Done Gun.
Editor
Van Oldenborgh's practice explores social relations through an investigation of gesture in the public sphere. Bete & Deise brings about a meeting between veteran telenovela actress and political activist Bete Mendes and Deise Tigrona, one of the most powerful voices in Baile funk, whose song Injeção was the basis for M.I.A.'s Bucky Done Gun.
Director
Van Oldenborgh's practice explores social relations through an investigation of gesture in the public sphere. Bete & Deise brings about a meeting between veteran telenovela actress and political activist Bete Mendes and Deise Tigrona, one of the most powerful voices in Baile funk, whose song Injeção was the basis for M.I.A.'s Bucky Done Gun.
Director
Instruction interrogates the agency of the individual in conditions of war. The work revolves around an unresolved episode of military history: the Dutch intervention in Indonesia’s struggle for independence in 1947-49. Van Oldenborgh asked a group of cadets from the Royal Netherlands Military Academy to read out and discuss a script composed of documents related to the conflict. Performing the script becomes a means to enact diverging historical subject positions, as well as to negotiate positions and responsibilities in the present.
Producer
A short documentary by Wendelien van Oldenborgh.
Director
A short documentary by Wendelien van Oldenborgh.
