Director of Photography
A Senegalese man living in Paris with his French wife and children receives a letter from his father back home saying he has arranged for him to take a second wife. The man's indecision outrages his French wife and leads to the end of his marriage, his return to Senegal and his reflection about how his life has ended up.
Director of Photography
Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not.
Director of Photography
El film surge de la correspondencia entre Lou Andreas-Salomé y Rainer Maria Rilke; sin embargo, describe instantes y aspectos en la vida de una pareja contemporánea en metamorfosis. Miéville logra mostrar la grandeza y la miseria, la claridad y el misterio. Más allá de las heridas, el tiempo y la guerra de los sexos, lo único que queda es la radiante belleza de las cosas.
Director of Photography
Cinematography
An almost blind writer moves to a hidden property in an Alpine village with a female friend, Renata. The two play sado-masochistic games including long recitals of elaborate texts. A neighbor, Serge, gets interested in the mysterious couple.
Cinematography
From birth to death every subject remains intact. Three ages, three women. Daughter, mother, grandmother. Each of them before and after still and always. And the men too, those they meet those they love.
Director of Photography
Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.
