Joana Nin
Historia
Documentary film maker and executive producer responsible for the coordination of the Sambaqui Cultural productions. She was a TV and newspaper reporter from 1995 to 2006 and editor of Fantastic / TV Globo. Became known after her first short Film "The Visit", 2005, which aired in 12 countries and was the winner of the festival “It's All True” as best Brazilian short film in 2006, among the 21 awards received. Her first feature film “Captive Hearts” premiered at the Rio Festival 2013 - the film won an honorable mention from the jury and later made the official selection at the Stockholm Film Festival 2014.
She also directed a trilogy on motherhood with the films Ultra Baby, My Reborn baby and Childbirth Banned in Paradise.
She was Executive Producer for the feature film “Praça Paris”, by Lúcia Murat; of the long doc “Auto de Resistência”, by Lula Carvalho and Natasha Neri, winner of the It's All True Festival 2018, executive producer of the 3rd season of the series "The Men Are from Mars and That's Where I Go", by Suzana Garcia, with Mônica Martelli, among others.
Executive Producer
Pregnant women from the paradise island of Fernando de Noronha, 360km off the Brazilian coast, are separated from their families and workplaces and sent to the mainland 12 weeks before giving birth. Pressure is brought upon those who resist. Their babies are not made welcome in their forebears’ lands. Without any reasonable explanation, the government has been denying the right of permanent residence to children of native people. Meanwhile, tourism is attracting more and more celebrities and outside investors to the island.
Screenplay
Pregnant women from the paradise island of Fernando de Noronha, 360km off the Brazilian coast, are separated from their families and workplaces and sent to the mainland 12 weeks before giving birth. Pressure is brought upon those who resist. Their babies are not made welcome in their forebears’ lands. Without any reasonable explanation, the government has been denying the right of permanent residence to children of native people. Meanwhile, tourism is attracting more and more celebrities and outside investors to the island.
Producer
Pregnant women from the paradise island of Fernando de Noronha, 360km off the Brazilian coast, are separated from their families and workplaces and sent to the mainland 12 weeks before giving birth. Pressure is brought upon those who resist. Their babies are not made welcome in their forebears’ lands. Without any reasonable explanation, the government has been denying the right of permanent residence to children of native people. Meanwhile, tourism is attracting more and more celebrities and outside investors to the island.
Director
Pregnant women from the paradise island of Fernando de Noronha, 360km off the Brazilian coast, are separated from their families and workplaces and sent to the mainland 12 weeks before giving birth. Pressure is brought upon those who resist. Their babies are not made welcome in their forebears’ lands. Without any reasonable explanation, the government has been denying the right of permanent residence to children of native people. Meanwhile, tourism is attracting more and more celebrities and outside investors to the island.
Director
The Birth of a baby is a very special moment and it’s no different for the reborn moms, with the difference that their children come by means of storks. This is the name given to artisans who turn vinyl molds into hyper-realistic dolls. The narrative follows as a production line, going through the process of manufacturing, industrial and craft, which gives the dolls hyper-realistic features. And it approaches end consumers, collectors or people who adopt care routines, just like we give away to our children. A film about the pure and simple feeling of motherhood – and the market that grows around it.
Executive Producer
The Birth of a baby is a very special moment and it’s no different for the reborn moms, with the difference that their children come by means of storks. This is the name given to artisans who turn vinyl molds into hyper-realistic dolls. The narrative follows as a production line, going through the process of manufacturing, industrial and craft, which gives the dolls hyper-realistic features. And it approaches end consumers, collectors or people who adopt care routines, just like we give away to our children. A film about the pure and simple feeling of motherhood – and the market that grows around it.
Screenplay
The Birth of a baby is a very special moment and it’s no different for the reborn moms, with the difference that their children come by means of storks. This is the name given to artisans who turn vinyl molds into hyper-realistic dolls. The narrative follows as a production line, going through the process of manufacturing, industrial and craft, which gives the dolls hyper-realistic features. And it approaches end consumers, collectors or people who adopt care routines, just like we give away to our children. A film about the pure and simple feeling of motherhood – and the market that grows around it.
Producer
The Birth of a baby is a very special moment and it’s no different for the reborn moms, with the difference that their children come by means of storks. This is the name given to artisans who turn vinyl molds into hyper-realistic dolls. The narrative follows as a production line, going through the process of manufacturing, industrial and craft, which gives the dolls hyper-realistic features. And it approaches end consumers, collectors or people who adopt care routines, just like we give away to our children. A film about the pure and simple feeling of motherhood – and the market that grows around it.
Executive Producer
A documentary about the Rio de Janeiro police killings praticed as so-called "self-defense acts".
The film follows people who deal with those deaths in their daily lives, showing how Brazil's Federal Government deals with these cases, from the police investigations to the courtrooms.
Executive Producer
Muestra el conflicto entre Camila, una psicoanalista y su paciente Gloria. Gloria trata de seguir con su vida a pesar de los traumas causados por su padre y hermano, y en las sesiones se dará una relación de contratransferencia, donde el miedo del otro dominará la trama.
Screenplay
Todas las semanas hordas de mujeres se reúnen a las puertas de las cárceles de hombres en todo el conjunto de Brasil. Son madres, hermanas y, en la mayoría de los casos, los presos esposas. Corazones cautivos ...
Writer
Todas las semanas hordas de mujeres se reúnen a las puertas de las cárceles de hombres en todo el conjunto de Brasil. Son madres, hermanas y, en la mayoría de los casos, los presos esposas. Corazones cautivos ...
Director
Todas las semanas hordas de mujeres se reúnen a las puertas de las cárceles de hombres en todo el conjunto de Brasil. Son madres, hermanas y, en la mayoría de los casos, los presos esposas. Corazones cautivos ...
Editor
Looking for the memory of an old vacant house, a camera hunts for traces of the persons that lived there. Family images contrast the liveliness and abandonment.
Screenplay
Looking for the memory of an old vacant house, a camera hunts for traces of the persons that lived there. Family images contrast the liveliness and abandonment.
Director
Looking for the memory of an old vacant house, a camera hunts for traces of the persons that lived there. Family images contrast the liveliness and abandonment.
Researcher
What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.
Director
What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.
Executive Producer
Nowadays technology has become the center of pregnancy experience, guiding expectants steps and dominating their lives during the months of child-bearing. Medical exams have been transformed in a show, motivating a range of fetus souvenirs creations, like pendants and other paraphernalia. Brazil is pioneer in transforming three-dimensional intrauterine images into objects for different purposes.
Screenplay
Nowadays technology has become the center of pregnancy experience, guiding expectants steps and dominating their lives during the months of child-bearing. Medical exams have been transformed in a show, motivating a range of fetus souvenirs creations, like pendants and other paraphernalia. Brazil is pioneer in transforming three-dimensional intrauterine images into objects for different purposes.
Producer
Nowadays technology has become the center of pregnancy experience, guiding expectants steps and dominating their lives during the months of child-bearing. Medical exams have been transformed in a show, motivating a range of fetus souvenirs creations, like pendants and other paraphernalia. Brazil is pioneer in transforming three-dimensional intrauterine images into objects for different purposes.
Director
Nowadays technology has become the center of pregnancy experience, guiding expectants steps and dominating their lives during the months of child-bearing. Medical exams have been transformed in a show, motivating a range of fetus souvenirs creations, like pendants and other paraphernalia. Brazil is pioneer in transforming three-dimensional intrauterine images into objects for different purposes.
Director
Venetian gondola installed in an artificial lake moves the life of a small town in southern Santa Catarina where 95% of the 13 thousand inhabitants are descendents of Italians from the Veneto region. Only four gondolas were officially donated by Italy, the others are in Toronto/Canada, Saint Petersburg/Russia, and Las Vegas/USA. The documentary recovers the history of the coming of this gondola to Brazil and reflects on why it rekindled the sense of Italian identity in the town. They even have the “Carnival of Venice”, and the festivity gathers hundreds of masked party goers in costumes made by local artisans.
