Mark 'Bez' Berry

Mark 'Bez' Berry

Perfil

Mark 'Bez' Berry

Películas

The United Way
Self
The United Way is the legendary story of one of the most iconic sports teams in the world, Manchester United, from their humblest of beginnings to a behemoth with over 650 million supporters worldwide. Presented by Eric Cantona and featuring Charlton, Best, Cantona, Beckham, and Ronaldo, alongside stunning archival and never-before-seen footage, The United Way celebrates the global phenomenon of a unifying club for the people, by the people.
Creation Stories
DJ
La verdadera historia del ascenso y caída de Creation Records y su infame fundador Alan McGee; el hombre responsable de suministrar la banda sonora del “Brit Pop” a los 90, una década de renacimiento cultural conocida como Cool Britannia. Desde sus humildes comienzos hasta las veladas de Downing Street, desde eludir a alguaciles hasta el lanzamiento de álbumes multiplatino, Creation lo tenía todo. Rupturas, quiebras, peleas y amistades… y sin olvidar la música. Con algunos de los mejores discos que hayas escuchado, seguimos a Alan a través de una neblina de música y caos alimentada por las drogas, mientras su sueño de rock'n'roll trae al mundo a Oasis, Primal Scream y otras bandas que definen una generación.
Ibiza: The Silent Movie
Bes
This unique and innovative project provides a compelling audiovisual journey into 2,000 years of Ibiza’s bohemian soul. The film captures Temple’s iconic style and boasts a soundtrack curated by world renowned artist Fatboy Slim, including his smash hits RIGHT HERE, RIGHT NOW; EAT SLEEP RAVE REPEAT as well as legendary tracks from artists including Ultra Nate, Cream, Brian Eno, The Dandy Warhols, The Sex Pistols and more.
Manchester Passion
Criminal in van
The Manchester Passion is a passion play about the last hours of Jesus, retold using a backdrop of the contemporary music of Manchester, England. The event took place on the streets of Manchester, and aired live on BBC Three on Good Friday, 14 April 2006. The event was created by the same people who created Flashmob: The Opera; also aired on BBC Three.
The Summer of Rave, 1989
Self
In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
The Grape Tapes
Himself
At Manchesters late 88's early clocking we agreed to shoot, me 'n' mental genius Shaun Ryder, but like most other events of our lives filming started late. Four years late, Jun '93: what should've been the Happy Mondays is over. X is sour .No Band, No Deal, No Dollar. No Film. Xcept: Didsbury, just off Barlow Moor, March 23rd. Jamming in X's 13' by 10 gaff, music addict Mr Ryder, brother Paul ex Ruthless Rap Assasin Kermit Bez and drummer Ged line up "Walking the Dog" for a piss on the past. "Kermit sounds shit" says Paul. "No, just out of key, I think it sounds great man", says Shaun. Its great when you're Straight later, no e's exclusively Stupid Stupid Stupid for you in The Grape Tapes. Hang with Shaun and Black Grape round the World through 5 years of brown, pollinated, green scripted, rattling, X-rated groovy gigs, kick offs, trips, rock n roll workds, riffs, licks and jellied bullshit bras gouching rhymes.
The Ghosts of Oxford Street
Self (as Happy Mondays)
Malcolm McLaren, writes, directs and narrates the "history" of Oxford Street. With musical performances by The Pogues and Kirsty MacColl, Tom Jones, Sinead O'Connor, Happy Mondays and more.