Cinematography
In 1997, tweens with a VHS camera filmed a horror epic. 25 years later, they edited it—as a comedy. Soak in the gloriously glitchy VHS splendor of this remixed horror-comedy that is at once a bloody twist on vampire lore and an endearing portrait of filmmakers coming of "rage."
Editor
In 1997, tweens with a VHS camera filmed a horror epic. 25 years later, they edited it—as a comedy. Soak in the gloriously glitchy VHS splendor of this remixed horror-comedy that is at once a bloody twist on vampire lore and an endearing portrait of filmmakers coming of "rage."
Scenario Writer
In 1997, tweens with a VHS camera filmed a horror epic. 25 years later, they edited it—as a comedy. Soak in the gloriously glitchy VHS splendor of this remixed horror-comedy that is at once a bloody twist on vampire lore and an endearing portrait of filmmakers coming of "rage."
Director
In 1997, tweens with a VHS camera filmed a horror epic. 25 years later, they edited it—as a comedy. Soak in the gloriously glitchy VHS splendor of this remixed horror-comedy that is at once a bloody twist on vampire lore and an endearing portrait of filmmakers coming of "rage."
Associate Producer
The Yes Men impersonate the National Rifle Association and launche their "buy a gun, give a gun program" at the Ronald Reagan Presidential Library. Antics ensue.
Writer
When a woman takes a new job, she discovers the skyscraper she works in is haunted by victims of a corporation's pursuit of profit. Unable to ignore injustice embodied by the disembodied, she sets out to reveal the truth.
Director
When a woman takes a new job, she discovers the skyscraper she works in is haunted by victims of a corporation's pursuit of profit. Unable to ignore injustice embodied by the disembodied, she sets out to reveal the truth.
