Jan Louter

PelĂ­culas

Under Tomorrow's Sky
Writer
Winy Maas, co-founder of MVRDV architects, always has 100 projects going at once. Documentary filmmaker Jan Louter followed him for two years to make "Under Tomorrow's Sky", a candid and open-hearted look at the highs and lows of the architecture profession.
Under Tomorrow's Sky
Director
Winy Maas, co-founder of MVRDV architects, always has 100 projects going at once. Documentary filmmaker Jan Louter followed him for two years to make "Under Tomorrow's Sky", a candid and open-hearted look at the highs and lows of the architecture profession.
Hersenleed
Director
We follow neurosurgeons Clemens Dirven and Arnoud Vincent of the Erasmus MC in Rotterdam in this documentary during the treatment of three patients with a brain tumor.
The World of Wubbe
Director
An unusually passionate and innovative work by choreographer Ed Wubbe is recorded with equal passion by Jan Louter. Wubbe was followed during the creation of the show 'Ting!' that was made to mark the seventieth anniversary of the Scapino Ballet. A captivating homage.
The Last Days of Shishmaref
Director
Shishmaref is a community of about 600 people, located on an island just off the west coast of Alaska. The effects of global warming threaten the very existence of these people- so much that the entire population needs to be relocated off the island within 10 years. They have become the first tangible victims of the worldwide climate changes. The project exists of several components; exhibition, book, film, website, and educational program. In the documentary Jan Louter depicts the impending end of the traditional lifestyle on the island of Shishmaref trough the lives of three Inupiat families. Despite the alarming situation, the film has not become a political manifesto. The Last Days of Shishmaref is a moving film about identity, transience, mortality, and the clash between different eras and cultures.
Love Me or Leave Me
Director
At the beginning of the documentary, fine artist Jan Montyn is lying in bed, stripped to the waist. The blades of a fan are spinning; war footage is projected across. In 1944, Montyn enrolled in the German navy and ended up on the eastern front. He shows drawings he made in the trenches with charcoal and toothpaste. Back in Holland, he was hospitalised with 'shell shock'. Nevertheless, later on he would fight the communists in Korea and work as a relief worker in Vietnam and Cambodia. The film crew follows him back to Vietnam, a country where he first arrived in the early seventies: 'Sometimes, I try to convert the horror to paradise.' And now he is sailing on a river, surrounded by dancing young women. But we also see him at work and breathe down his neck when he is etching and engraving. He looks back on his life without a guilty conscience or shame. 'Many wars, many women, many etches', could be his epitaph, the voice-over says.
A Sad Flower in the Sand
Writer
About a largely unsung writer of the twentieth century: John Fante, the renegade author whose highly autobiographical novels illustrate his deep-rooted love of Los Angeles and his struggles working through poverty and prejudice.
A Sad Flower in the Sand
Director
About a largely unsung writer of the twentieth century: John Fante, the renegade author whose highly autobiographical novels illustrate his deep-rooted love of Los Angeles and his struggles working through poverty and prejudice.