Ariel Dougherty
Historia
Ariel Dougherty is a teacher / mentor / innovator / seer / leader of youth, women's, and community media. An emphatic advocate of women-identified media, she was on the cutting edge of feminist filmmaking's historic emergence in the late 1960s.
Director
Citizen and police body cam footage intertwine in a controversial electric meter change-out and are mixed with the audio of two citizen appeals before the City Commission on $50 monthly charges, now the highest in the county for non-smart meters. The struggle continues.
Producer
Documental que recorre la evolución del movimiento artístico feminista surgido en Estados Unidos durante la década de 1960. Su directora, Lynn Hershman Leeson fue partícipe activa de este movimiento y ha pasado 42 años documentándolo. A través de entrevistas íntimas, obras de arte provocativas y fragmentos de vídeos raramente vistos hasta ahora, nos acerca al que muchos historiadores e historiadoras consideran el movimiento artístico más significativo de finales del siglo XX.
Editor
Vandana Shiva discusses biodiversity at the World Women’s Congress for a Healthy Planet in Miami, Nov. 1991 in advance of the Earth Summit. In a follow up workshop women devise policy. Wangari Maathai reads the final platform. At a concluding press conference, Peggy Antrobus underscores that the real issues were discussed by women in Miami, and will not be put forth in Rio.
Camera Operator
Vandana Shiva discusses biodiversity at the World Women’s Congress for a Healthy Planet in Miami, Nov. 1991 in advance of the Earth Summit. In a follow up workshop women devise policy. Wangari Maathai reads the final platform. At a concluding press conference, Peggy Antrobus underscores that the real issues were discussed by women in Miami, and will not be put forth in Rio.
Editor
A narrative constructed in the wishful-filmmaking, or “fanumentary”, genre. Rural women artists unite via CR to support one another’s work and to showcase more women’s art publicly available in their community. A refreshing weave that combines animation, nature shots and live action into a story of actualization.
Camera Operator
A narrative constructed in the wishful-filmmaking, or “fanumentary”, genre. Rural women artists unite via CR to support one another’s work and to showcase more women’s art publicly available in their community. A refreshing weave that combines animation, nature shots and live action into a story of actualization.
Director
A narrative constructed in the wishful-filmmaking, or “fanumentary”, genre. Rural women artists unite via CR to support one another’s work and to showcase more women’s art publicly available in their community. A refreshing weave that combines animation, nature shots and live action into a story of actualization.
Camera Operator
Time: the 1970’s. Place: New York City. This dramatized essay explores how women feel about verbal harassment by men on the street. What do they think? What do they want to do?
Director
“Sweet Bananas traces the contrasting lives of some working class and upper class women, who end up all getting along.” -- E. Ann Kaplan
Executive Producer
The first all-women Western. Set in a fictional 1850, the movie is about one woman's attempt to recruit others for an all-women commune. "..a Warholesque frolic" -- Daphne Davis, Women's Wear Daily " Some great comments about women, men and the pros and cons of living with either." -- Women & Film: International Festival, 1973 "A group of wonderfully idiosyncratic women improvise characters close to their real lives and fantasy lives. Funny, ambling, off-handedly lyrical, the film....is above all excellent for sharing warm feelings in a group." -- Ms. magazine
Camera Operator
The first all-women Western. Set in a fictional 1850, the movie is about one woman's attempt to recruit others for an all-women commune. "..a Warholesque frolic" -- Daphne Davis, Women's Wear Daily " Some great comments about women, men and the pros and cons of living with either." -- Women & Film: International Festival, 1973 "A group of wonderfully idiosyncratic women improvise characters close to their real lives and fantasy lives. Funny, ambling, off-handedly lyrical, the film....is above all excellent for sharing warm feelings in a group." -- Ms. magazine
