Producer
After the death of his partner, Eli turns to the recently deceased’s artist friends for a hand with his immigration, but some of them have ulterior motives.
In 1934 Berlin, a Black Jew who is married to a White German is visited by a friend who urges him to flee the country. A screening of a German expressionistic film about a horny Golem resurrected by Mark Zuckerberg is disrupted by a visit of a man from the future.
Director of Photography
In 1934 Berlin, a Black Jew who is married to a White German is visited by a friend who urges him to flee the country. A screening of a German expressionistic film about a horny Golem resurrected by Mark Zuckerberg is disrupted by a visit of a man from the future.
Director
Eisha Loves shares the daily struggles Black trans women face in Chicago and across America.
Editor
A 36-year-old lesbian from London navigates Berlin's treacherous alternative scene.
Editor
About two men. Lovers, but not in love. Heroes of three episodes in different times and places. In 1978 southern California they escape the city to go and enjoy themselves in a motel; in contemporary L.A they put up a play in a gentrifying neighborhood in the eastern part of town; and in the third episode, filmed in late 2014, taking place in an undefined place, they are victims of a terror attack on a nightclub.
Director
A film that documents American artist, Flo McGarrell's, life in Haiti prior to his untimely death in the 2010 Earthquake. Through interviews, local artists discuss Flo's impact on the community and the small queer movement that was instigated around the FOSAJ Art Center in Jacmel where he was working at the time of his death. The filmmaker's poetic, personal narration is told from the perspective of a close friend and collaborative partner with whom McGarrell was co-directing a film based on the novel, Kathy Goes to Haiti (Kathy Acker, 1978).
Self
La historia de HOIST, el primer y único Gay Fetish Bar de Londres, coincide con la lucha política para despenalizar la actividad homosexual en el Reino Unido.
Director
Valencia is a collaboration between a national community of queer filmmakers to adapt the underground classic memoir into a kaleidoscopic vision of San Francisco's Mission District in the early 90s during the rise of a punk lesbian diaspora told through the experiences of Michelle, a single rootless twenty-something searching for sex and love, drugs and adventure.
Producer
A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.
Story
A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.
Screenplay
A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.
Director
A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.
Sound
Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.
Director of Photography
Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.
Producer
Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.
Director
Restless schoolboys in class have daydreams that are sweet and romantic, hot and raunchy, and disturbingly violent.
