A young businessman believes that money and fortune are the most important things in the world. One day he loses all his money and faces the necessity to reconsider and change his life.
Un profesor de música que ha perdido su trabajo se tiene que mudar a una habitación en un modesto edificio, cuyo último ocupante fue una anciana muerta hace más de un año. Esxtrañamente, encuentra a su gato encerrado en el armario, perfectamente sano y bien alimentado. Pronto se descubrirá el por qué del misterio, en esa habitación hay una ventana que comunica directamente la fría y empobrecida capital rusa nada más y nada menos que con París.
Un profesor de música que ha perdido su trabajo se tiene que mudar a una habitación en un modesto edificio, cuyo último ocupante fue una anciana muerta hace más de un año. Esxtrañamente, encuentra a su gato encerrado en el armario, perfectamente sano y bien alimentado. Pronto se descubrirá el por qué del misterio, en esa habitación hay una ventana que comunica directamente la fría y empobrecida capital rusa nada más y nada menos que con París.
A small provincial town is home to two rival teenage gangs, one devoted to loose living and punk music and the other a collection of narrow-minded bodybuilders obsessed with order and convinced of their own moral rectitude. However, this cosy state of affairs is upset by the arrival of two strangers dressed like Pushkin, the famous early 19th century Russian poet, who proceed to found their own organisation, dedicated ostensibly to the memory of the great writer and the "salvation of Russia". Gradually, they begin to assume control of the town...
A group of Swedish tourists are on the way to a Russian village to witness the so called 'Festivity of Neptunus', in which the inhabitants take a dive in a hole in the ice. This tradition, however, does not exist at all. The inhabitants try to make a good impression by starting the 'tradition' to please the tourists.
This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.
