Keiji Sakakida
Nacimiento : 1900-01-15, Japan
Historia
Sakakida debuted in film in 1921, and appeared in a number pre-war films with various studios, including Nikkatsu, Takamatsu-Azuma, Empire Kinema, and Makino Talkie, before finally landing at PCL in 1937, which would later become Toho.
After the war, Sakakida appeared in numerous supporting roles for Toho, predominantly sci-fi, beginning with the original Godzilla in 1954. He played the mayor of the island town attacked by Godzilla in the first half of the film. One of his last appearances was in Terror of Mechagodzilla (1975), in a still shot of a group of scientists restraining Akihiko Hirata’s character.
Tai Kato’s early 20th century set yakuza epic about an ordinary merchant girl (Hiroko Maki) who crosses paths with an assassin (Tetsuya Watari). The encounter sends her to jail as a suspected accomplice. Years later she marries a yakuza boss, whose gang is affiliated with working class people.
1864. Samurai Shinbei is sent in a secret mission to Ezo, in the North of Japan, to stop riots of villagers commanded by Jirozaemon. A Russian count's daughter, the village leader's daughter and a secret treasure add up to the adventure.
Sanzo
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
Government Personnel
Gorath es un meteoro errante (6000 veces más grande que nuestro planeta) que viaja inexorablemente en curso de colisión contra la Tierra, absorbiendo todo lo que se le envía. Los cientificos tendrán que evitarlo, pero la cosa es difícil ya que la solución propuesta para escapar niega todas las posibilidades de la física al apartar nuestro planeta del camino de Gorath. Tras una cumbre de científicos internacional se propone el lanzamiento de unos proyectiles desde el Polo Sur. Pero el calor provoca el derretimiento de un casquete y la liberación de Maguma, una monstruosa morsa gigante.
(uncredited)
Un bibliotecario es objeto de un experimento que sale mal y lo convierte en el "Vapor Humano". Utiliza su nuevo don para el robo de bancos y para ayudar a su novia bailarina. Buscado por la policía, y con varios crímenes a cuestas, el Vapor Humano es el enemigo público número 1 de Tokyo
On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.
Old policeman - investigation room (uncredited)
Nuclear tests create a radioactive man who can turn people into slime.
Tahei
Animales gigantes mutantes y pterosaurios prehistóricos emergen de una mina japonesa, aterrorizando a toda la población.
Watchman (uncredited)
When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.
Mayor Inada (uncredited)
Las misteriosas destrucciones de barcos en el Pacífico provocan el pánico. Los nativos de una isla afirman que el culpable es una criatura legendaria, Godzilla, un lagarto mutante convertido en un gigantesco monstruo a causa de unas radiaciones atómicas. Godzilla se dispone a atacar las principales ciudades del Japón.
Gosaku
Una banda de forajidos atemorizan a los habitantes de un pequeño pueblo, saqueándolos periódicamente sin piedad. Para repeler estos ataques, los aldeanos deciden contratar a mercenarios. Finalmente, consiguen los servicios de 7 guerreros, 7 samurais dispuestos a defenderlos a cambio, tan solo, de cobijo y comida.
Admiral Isoroku Yamamoto, a brilliant tactician, is a loyal subject of the emperor, despite his grave misgivings about leading Japan's navy into war with the United States. He opposes the attack on Pearl Harbor, but, overruled, he leads his forces to the best of his ability.
Land Readjustment Section Receptionist (uncredited)
Kanji Watanabe es un viejo funcionario público que arrastra una vida monótona y gris; sin embargo, no es consciente del vacío de su existencia hasta que le diagnostican un cáncer incurable. Con la certeza de que el fin de sus días se acerca, surge en él la necesidad de buscarle un sentido a la vida. Y cuando lo consigue se produce un cambio radical en su actitud respecto a los demás.
Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.
Saburo and Keiko fall in love with each other but the tide of war separates them.
A sixteen-year-old who had been living on her own since her mother died, frequently gets in trouble with the police. She gets sent to an "institute" for young girls in the countryside. There the residents grow their own food, cook and clean for themselves, and are taught language, music, and sewing. While there the young girl slowly begins to form friendships and come out of her shell.
Bus customer
Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.
Japanese war-era film
Farmer
This film depicts a troupe of wandering kabuki players traveling through rural Japan.
Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
Ticket Clerk
An episodic film about life in and around a rural police station and the people it serves.
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
Ino tries to control Mon’s every move, but she becomes a fallen woman, having an affair with a student, Obata whereas her sister San remains a “good girl.” The mother is very supportive of her daughters, but, the father, Akaza, who is the stonecutter foreman on the damn, lacks control of his family.
Father, son Kentaro and daughter Ochiyo, who live on the banks of the Sumida River, regain their love for each other after family discord and separation. The film is considered lost.
