Charles Inslee

Tarzan spurns the love of La, Queen of Opar. When he isn't trying to keep the Bolshevik Rokoff and Clayton (pretender to the Greystoke estate) from reaching Opar, he is attacked simultaneously by two lions, dropped into a pit when a volcano splits the ground, nearly sacrificed by sun worshipers, and so on.

Tarzan spurns the love of La, Queen of Opar. When he isn't trying to keep the Bolshevik Rokoff and Clayton (pretender to the Greystoke estate) from reaching Opar, he is attacked simultaneously by two lions, dropped into a pit when a volcano splits the ground, nearly sacrificed by sun worshipers, and so on.

The Man Who Woke Up is a 1921 silent Western.

Bart Carson está enamorado de Lou e incluso va a la cárcel para salvar a Walter A. Walker, un hombre que dice es su hermano, pero que en realidad es un marido que ha abandonado a su esposa y sus dos hijos.

An American short comedy film.

A dishonest undertaker stirs up droll, laughable tragedy between two devoted husbands and their loyal wives in his attempt to build up an insurance sideline when the undertaker business fails.

Charlot está encargado del cuidado de las oficinas en un banco. Limpia todo y contra todos y ama a la inaccesible secretaria. Hay en el ardor con que limpia y ama una suerte de heroísmo.

La cosa empieza en el parque, con un distinguido y aburrido caballero haciendo el "calavera", hasta que se topa con Charlot, lo que provoca varios desastres cuando juega a la gallinita ciega, incluido un chapuzón en el estanque.

Charlot y su jefe tienen dificultades para empapelar la casa en la que están trabajando. Y el dueño está cabreado porque no puede desayunar en paz.

Ham fears he has accidentally killed his landlady so he and Bud go on the run, disguised as a missionary and a cannibal.

Un estafador enreda a un periodista para conseguir algo de dinero y luego pide un trabajo en su periódico.

Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.

Mabel has two suitors - an oily con man, whom she mocks in a very funny scene where she is shown twiddling a fake moustache and making her feelings very clearly felt. Even in this early comedy her natural fun comes through. The one she really loves is clumsy yokel Ford Sterling, who is determined to buy an oil well that the con man has for sale. The conman gets a local fellow to pour oil over the property. Ford falls for it and buys it - Mabel and he are to be married. Then the fellow confesses that it was just a scam - there was no oil.

Two rivals for Mabel's hand play a series of dirty tricks on each other. Finally, one of them gets Mabel alone and is about to marry her, but his rival comes up with a strange scheme to stop them. Soon the Keystone Kops arrive on the scene, and chaos quickly ensues.

Wine is a 1913 movie starring Roscoe Arbuckle and Ford Sterling.

Fatty induces wife to let him take a day off to go to the celebration at San Diego. He has a wonderful time, flirting with the girls, breaking up a parade, fighting the police force and falling into the fountain with him, escapes, and with the crowd after him, leaps into the river. Here he rescues a little boy and becomes a hero. He goes home to wife in a bedraggled condition, tells of rescue and is set upon a pedestal. Wife, as a reward, takes him to the movies at night and sees husband flirting and fighting in the fountain, where some enterprising cameraman caught him. That explaining, as she thought, the bedraggled state in which he arrived home, she turns and beats him all the way home.

The scene is laid for a quiet little wedding. The guests are waiting for Fatty and an ancient maid to be made one. Fatty's rival appears and breaks up the wedding. A lemon meringue pie battle ensues, with the rival the victor. He carries the bride away. A most sensational and ludicrous finish is when he sees Fatty at the foot of a precipitous cliff. In a fit of rage he throws the bride from the top of the cliff at him, who lands unscathed in Fatty's arms.

An amusing bowling match between Messrs. Sauer and Kraut. The balls and pins are manipulated by an electric magnet and perform some queer antics. There is, of course, the usual roughhouse finish, with Ford and Mabel in the important parts. Good fun, without offense.

A husband who has spent a convivial night is sleeping off the effects in bed while his devoted wife ministers for him.

The Fatal Taxicab is a 1913 movie starring Mabel Normand and Ford Sterling.

A young man falls in love with his mother's kitchen maid, Mabel. But his mother objects strongly, and arranges for him to meet another young woman whom she considers more suitable. Mabel confronts the young woman, and is dismissed from her position. Later, when the young man learns about the new career that Mabel has found, he begins to act in an agitated and unpredictable manner.

Fatty rescues Mabel twice: first, from the unwelcome attentions of a masher, then from a runaway observation balloon.

When a girl delivering expensive garments loses them to some Irish shanty town kids, her boss, a Jewish clothier, is livid and a fight breaks out. Soon the melee spreads to the whole neighborhood with brick throwing merging into bomb throwing, with the sides on clearly ethnic lines.

Mabel and Roscoe love each other, but her father likes another boy. A rather sissified young man. Roscoe and Mabel stages an accident.

The basis of the story is an old edict, issued as the result of one of the tribal differences, that death shall be meted out to the Hopi woman who marries an Apache.

A pioneer caravan is attacked by Indians, who greatly outnumber the pale faces. The whole party are massacred, with the exception of a year-and-one-half old baby, who being hidden by its mother, escapes detection. Whitey is a big, bashful cowpuncher, who secretly worships at the shrine of the only eligible woman in camp, a buxom widow.

A regiment of cavalry surprises the Sioux and puts them to flight. Colonel Graham and others personally attend to the wants of the wounded, and the Colonel finds a wounded squaw in one of the tepees, with a little girl crouched in terror by her side.

John Dayton is shot by George Willis in a saloon quarrel. The deed is seen by Arline Marsdon, who gives Willis money and a marked timetable, whereby he escapes and goes further west. Mrs. Dayton is determined to bring the murderer to justice and engages the services of Craig Burton, a detective.

A little girl whose parents were killed by Indians grows up the adopted daughter of a white settler and the one Indian who lives in the same hut with him. They both love the girl dearly and finally, when an artist comes along with whom she falls in love and who ultimately takes her away to his eastern home.

A white woodsman rescues Little Dove from danger on two occasions and she crushes out on him... but wiser heads prevail.

Mrs. Kendrick borrows a jeweled necklace from a friend for an important social event. The necklace is stolen, and Mr. Kendrick goes into debt to replace it. The thief discovers it's costume jewelry, but the Kendricks never learns the truth; Husband and wife struggle for years to pay off the huge debt.

After three years at sea, Edward returns home to find his sweetheart forced into an engagement with a much older man.

Hidalgo offers his daughter's hand in marriage when he can't repay a loan to Manuella. But when Manuella overhears the daughter bidding farewell to her lover, he is so moved by their devotion that he cancels the debt.

Out-of-work, Tim steals a sandwich, then knocks out the policeman who chases him. He changes into the policeman's uniform, and is approached by a wife who needs help with her drunken husband.

Nellie flees her old life and goes east to become a nurse, where she marries a doctor. One of her old colleagues finds her and tries to blackmail her. When the blackmail plot is exposed, Nellie's husband expresses his complete faith in her.

Henry is being blackmailed. When the blackmailer breaks into his house, Henry apprehends him at gunpoint and takes the opportunity to rid himself of the blackmailer's threat.

A wife offers to support her artist husband by teaching piano. She can't find work at the conservatory, and ends up working in a laundry, without telling him the truth. When he discovers her lie, he is determined to leave her, until she is injured and he understands the sacrifice she made for him.

"Fine feathers make fine birds", and handsome gowns make handsome women. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.

A girl from the New York slums falls in with crooks. After her love is arrested following a barfight turned deadly, her life seems directionless-- that is, until she's saved from the streets by a band of Salvationists. She enrolls, and soon afterward encounters her former love in the same bar. Her faith is real, and strong, and her former love doesn't like this.

Mons. Flamant, a typical roué of the French nobility, is surrounded by all the pleasures and pastimes his fabulous wealth can procure. In a quest of diversion he visits the art rooms, just as a young girl enters with a magnificent piece of sculpture and places it on sale. The roué is so impressed with the work and the girl that he purchases it at once and follows her to the atelier, where he learns that she is the maid of the sculptress, whom he sees and at once falls passionately in love with her, but when he learns that she is totally blind, his feelings change to one of deepest pity.

A court fool believes the Duke is after his beautiful daughter, and arranges to have the Duke murdered. The daughter overhears the plot and, disguised in the Duke's cloak, sacrifices her life to save him.

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

An anonymous donor drops a gold coin in the shoe of a homeless girl as she sleeps. A gambler with a 'sure thing' borrows the coin and wins a fortune, but he can't find her again to repay her.

An unscrupulous tourist plots to steal the famous diamond, "The Light of the World," tricking a young woman into helping him. She is caught and imprisoned, while he prepares to sell the diamond and make his getaway.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

Mack Sennett appears as a butler and a man in an office in this film produced by the Biograph Company.

A pair of young ladies cause trouble at the cinema with their lavish hats.

Mack Sennett appears as a party guest in this film produced by the Biograph Company.

Mr. Jones, since his last escapade, had made strenuous efforts to amend the reputation he had gained in the eyes of the ladies of the Temperance League. But Oh! the ordeal, for such it was, was telling on him, and his pent-up spirits were threatening ebullition, when at last the chance comes. The league arranges to attend a three-days' convention out of town, and when Mrs. Jones departs, Jones sends a note to Smith, telling him to bring the gang, and they would have a "Prayer Meeting," enjoining him not to forget the "fixings." Well, the gang are not long in putting in an appearance, for they feel that every minute's delay is a chunk lost from a golden opportunity for fun.

Mack Sennett appears as a party guest in this film produced by the Biograph Company.

Mack Sennett appears as a footman in this film produced by the Biograph Company.

Mack Sennett appears as a cop in this film produced by the Biograph Company.

Mack Sennett appears as a wedding guest in this film produced by the Biograph Company.

Mr. Jones at the Ball is a 1908 American silent short comedy film, part of the once-popular Biograph series centered around the titular Jones and his long-suffering wife. In this film, Jones rips his suit pants and chaos ensues.

Mack Sennett appears as one of character Mike McLaren's assistants in this film produced by the Biograph Company.

Mack Sennett appears as a guest and a man in the fight in this film produced by the Biograph Company.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.

Based on Shakespeare's play. Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.

A castaway returns home after years lost at sea, to the wife and child he left behind. Has she waited faithfully or has she moved on?

George Redfeather, the hero of this subject, returns from Carlisle, where he not only graduated with high honors, but was also the star of the college football team. At a reception given in his honor by Lieut. Penrose, an Indian agent, the civilized brave meets Gladys, the lieutenant's daughter, and falls desperately in love with her.

Mack Sennett appears as a man in the bar and in the wedding party in this film produced by the Biograph Company.

Mack Sennett appears as a man in the bar and in the wedding party in this film produced by the Biograph Company.

Mack Sennett appears as a barbarian in this film produced by the Biograph Company.

D.W. Griffith film about an elderly father who grows tired of seeing his son bring home beautiful women so he gets a makeover and heads out on the prowl.

A Boer woman and her daughter are captured by Zulu warriors.

Mack Sennett appears as a policeman in this film produced by the Biograph Company.

Mack Sennett appears as a man in the bar in this film produced by the Biograph Company.

A mother works as a dancer to support her ill daughter. One night while performing, the mother has a vision of her child dying. She rushes home, but it is too late. -- IMDB

Mack Sennett appears as a Native American in this film produced by the Biograph Company.

Irving Robertson, a successful playwright, has just received a message from out of town to witness the initial performance of one of his plays. As he is about to leave, Henderson, the manager, calls to pay a sum due him for royalties. At the same time, Frank Wilson, a friend of the family, drops in.

It is often said there is honor among thieves, but not so, as we shall see in this story. Two denizens of the underworld are seen in their squalid furnished room planning a robbery. Their intended victim is known to hold at all times in his safe at home a large sum of money and a wealth of jewels. Gathering together the tools of their nefarious calling, they start off, arriving at the house shortly after the master had retired for the night.

John and Tom Wilkins are brothers and most divergent in natures. John is a clergyman and a noble, upright fellow, while Tom is a scapegrace, wild, reckless and unscrupulous. Not having the parental guidance so essential in youth, his father being dead and his mother blind, he drifted into bad company, the contaminating influence deeply affecting his susceptible nature.

Jose, a handsome young Mexican, leaves his home in the Sierra Madre Mountains to seek his fortune in the States. On leaving, his dear old mother bestows upon him her blessing, presenting him with a pair of gauntlets, upon the dexter wrist of which she has embroidered a Latin Cross.

A young couple are enjoying a romantic interlude in the young woman's home, when her father discovers them and angrily chases the young man out of the house. They thus decide to elope, and they make plans accordingly. But as they are leaving, a thief discovers their plans, and he decides to turn the situation to his own advantage.

A gang of lawless freebooters who terrorized the country and made travel in the mountains a hazardous pastime hold up a stylish landau in which are seated an old gentleman, a duenna, and a pretty young Senora. The inevitable happens; all are relieved of their valuables, and while the gentleman and duenna are sent on their way, the girl is held a prisoner.

Mack Sennett appears as a policeman and waiter in this film produced by the Biograph Company.

A silent short about a Sioux Indian by D.W. Griffith.

On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.

Black Wolf, a brave, wants Whispering Water to be his squaw. Whispering Water is afraid of this taciturn Indian and refuses. He tries to carry her off but is stopped by another Indian, Brave Heart, and there is a savage light in which Black Wolf is worsted. He appeals to the chief to banish Brave Heart.