Masao Takamatsu

Pinku from 1967.

1961 Japanese film about the Shinsengumi.

Kazuko Matsuo sings the theme song to this drama film.

Satsuo Yamamoto's filmic depiction of the famous 1949 Matsukawa Incident.

Crime film directed by Tatsuo Yamada for Shintoho.

At the end of the Greater East Asia War, young Amada Koichi and his father were wrongfully accused as spy suspects and his father died in prison after being tortured. Ten years later, Amada seeks for revenge on the three men responsible for his father death.

Tired of poverty, Keiko leaves home and soon takes a lover, but leads a wanton life without paying heed to his advice. However, the younger sister Yoshiko, is an innocent and kind girl. One day, with the sudden death of their mother in a car accident, Keiko learns that she and Yoshiko are actually stepsisters, and that she is the daughter of a murderer. She now plans extortion from Yoshiko's true father who is the president of a well-known trading company.

After the massacre of Christians at Shimabara, followers of Amakusa Shiro band together in a plot to overthrow the shogunate in order to exact revenge on the Tokugawa. At the same time there is a succession dispute in the Kuroda clan, as one faction tried to usurp the rightful heir and take over the honored clan. Before his untimely death, the lord of the Kuroda bestowed “Nihongo”, a magnificent spear, on his finest warrior, which ultimately brings him into contact with two of Japan’s most famous historical figures, Yagyu Jubei and Miyamoto Musashi. Can the three masters of martial art join forces to defeat their enemies and save the nation?

Shintoho crime film.

From the king of Japanese exploitation films comes a criminal drama told in a semi-documentary fashion. The murder of the chief official of Kobe city's Customs triggers an investigation of a prostitution ring called the 'Yellow Line' that sells Japanese women. A hired assasin is betrayed by his organization, and kidnaps a woman who happens to be the girlfriend of a newspaper reporter.

Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.

Shintoho crime film directed by Kyotaro Namiki.

Japanese thriller.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?

Japanese film.

Japanese comedy film.

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.

A store manager named Kinbei becomes enraged when the owners of the store decide to hand it down to an adopted son instead of him. He hatches a plot to murder them all, but as it turns out he has done this sort of thing before. As bodies pile up in the nearby Kagami Pond, a ghostly vengeance is about to be unleashed.

Yuri is looking forward to marrying her fiancé Minoru. However, a few days before the wedding she falls victim to his brother Takehiko, and against her will, she becomes Takehiko's wife. The day after the wedding, Yuri begins her silent revenge by not talking to her husband. She retains her love for Minoru and never gives herself to Takehiko's embrace again. She also contributes large sums of money from Takehiko's fortune to charity.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

Desiring another officer’s new wife, a military police lieutenant fabricates evidence of treason that consigns the innocent man to torture and a firing squad. The lieutenant rapes the wife, but is haunted by bad dreams which after he is assigned to a battalion with the victim’s brother.

Director Teruo Ishi's crime action follows the investigative adventures of an undercover cop working with a prostitution ring. It's done in an unique documentary style.

1958 jidaigeki directed by Masaki Mori for Shintoho.

Japanese comedy film.

The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)

Harada Kai, the Date clan's Chamberlain attempts to take power from the lord himself.

The 4th Super Giant film, in which he continues his fight against the Kapia Aliens (Part 2 of 2)

The 3rd Super Giant film, in which he saves Earth from the threat of the reptile-like Kapia Aliens.

The year is 1937, and it has been six months since the Sendai Infantry left for Manchuria. The rotted corpse of a young woman is found at the bottom of a well, but her face and limbs are gone. The military police begin an investigation and search fervently for the person responsible, but they can't even determine the victim's identity, much less find any clues. However, the incident is made public when newspapers give wide coverage to the story, so Staff Sergeant Kosaka is dispatched from Tokyo to solve the case. Eventually, General Tsunekichi is taken into custody by local infantrymen because of the testimony of another unit, but the spirit of the dead woman appears before Staff Sergeant Kosaka, who continues to investigate on his own...

The 2nd Super Giant film. Super Giant continues his battle against the foreign terrorists. In return, they frame him for murder. (Part 2 of 2)

Fictionalized retelling of the life of a Geisha poisoner.

Meiji Tenno portrayed the ramp up to the Russo-Japan War. In addition to showing the political events that led to war, it also showed the era from the story of a farm family in rural Japan who sent their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and it's combatants often do not know what they are fighting for.

An exciting historical drama in which a beautiful woman secretly solves the family problems of the Owari clan. Hibari Misora plays two roles: a charming princess and a dashing youngster, performs songs and dances throughout the film until the big decisive battle.

A 1956 alien invasion tokusatsu film directed by Shinichi Sekizawa, the screenwriter noted for his immense contributions to Toho's Godzilla series by providing the screenplays/stories for the majority of the original Showa films.

Ryutaro is a spy employed by the shogun Tokugawa Iemitsu, who is the target of assassination attempts that aim to hand power over to his younger brother Tadanaga. Before learning of these plots, Ryutaro discovers himself in a predicament of his own when he rushes to the defence of a local girl who is caught between her boyfriend and a greedy businessman. The situation results in many violent one-on-one skirmishes between Ryutaro and the businessman’s many samurai defendants, one of whom enigmatically refuses to reveal his face or use more than just the one hand. Before long, Ryutaro’s top priority is not protecting Iemitsu as it should be, but rather unearthing the true identity of the mystery samurai.

Admiral Isoroku Yamamoto leads the Combined Fleet of the Imperial Japanese Navy to defeat the American Fleet.

Oiwa has been searching for the one who killed her father for a long time. She comes to Yedo and sees a man named Naosuke. The film is based on the kabuki classic: Toukaidou Yotsuya Kaidan (1826) written by Tsuruya Nanboku and is one of the most famous ghost stories throughout Japan.

Japanese youth film about kendo.

Japanese drama.

Scammer Horikawa Shinbei hopes to make a quick buck using Namie, a stripper under his control.

The film is about the Yamato's suicide mission to Okinawa in March 1945 to defend the homeland threatened by U.S. bombers. Adapted from Mitsuru Yoshida's 1952 book "Requiem for the Battleship Yamato".

Gosho’s most celebrated film both in Japan and the West, Where Chimneys Are Seen is perhaps the most compelling example of his concern for, and insights into, the everyday lives of lower-middle-class people. Based on Rinzo Shiina’s novel of the absurd, the film depicts the lives of two couples against the backdrop of Tokyo’s growing industrialization during the 1950s.

'Madre' es la historia de una madre pobre y trabajadora, con un marido enfermo, que se sacrifica para mantener a su familia en los suburbios de Tokio. La película define "Shomin Geki", un género cinematográfico japonés que presenta una representación realista de la clase baja económica, contada con elementos de comedia ligera y melodrama. Esta es la obra más conocida del director Mikio Naruse, aclamado por los historiadores de cine japoneses como un igual a Kurosawa, Ozu y Mizoguchi, pero subestimado en Occidente.

Obscure Japanese movie by director Kyotaro Namiki

After mastering swordsmanship at the dojo of Chiba Shusaku, and unable to serve a clan due to his illness, Hirate Miki becomes a ronin who winds up as bodyguard to Shigezo of Sasagawa leading up to an epic battle.

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.

Tanuma Kandayuu is a high class samurai of the house of Nabeshima. He finds a lavish board of Go (a Chinese Board game) at Kinbei's store. He recommend Kinbei to offer it to his lord. Kinbei hesitates at first, since he knows the board has a mysterious legend surrounding it; it's believed that for every game played on the board, one death is required.