During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
Señor que baila con Angélica
Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.
This historical drama depicts the waning days of the life of Antonio Lopez de Santa Anna, the 19th century president of Mexico who, in 1847, waged a war against the United States that ultimately cost his nation half of its territory
Propped up on his deathbed, a 17th century Spanish missionary named Father Kino (Enrique Rocha) looks back on his remarkable life and relives one of his greatest challenges: bringing the teachings of Christianity to California's native population while convincing the Spanish military to respect the Indians' traditions.
El tramposo Alvaro (Vicente Fernández) y su cómplice Mariana (Maribel Guardia) engañan al poderoso ranchero Lázaro (Mario Almada) quitándole una camioneta y un valioso caballo al que pintan de negro para despistar y lo nombran Satanás. Un veterinario delata el escondite de los estafadores y Lázaro llega hasta ellos recuperando su caballo, luego lo expone a muerte a una corrida de toros y Alvaro se humilla ante el para salvar a Satanás pues le había tomado mucho cariño.
Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.
Maricarmen's Husband
Luz está en la cárcel, acusada de haber asesinado a sus hijos. El marido y la suegra aseguran que ella los mató premeditadamente. La doctora Rebollar pretende ayudar a la mujer, pero ésta no recuerda nada y piensa que la cárcel es el purgatorio: una etapa previa para llegar al cielo.
