Mike Gray
Nacimiento : 1935-10-26, Racine, Wisconsin, USA
Muerte : 2013-04-30
Executive Producer
Shuang Hu takes audiences on a journey to explore the versatile and spectacular landscape of Far North Queensland, world-renowned for the Great Barrier Reef and its precious ecosystems.
High School Student
La película se centra en dos estudiantes homosexuales, Tanner y Brent, de secundaria. Cuando Tanner está marginado, es recogido por las chicas cool y comienza a superar a Brent en popularidad. (FILMAFFINITY)
Cinematography
Judi Bari and Darryl Cherney were falsely arrested for car-bombing themselves on May 24, 1990 while on an Earth First! musical organizing tour for Redwood Summer. They sued the FBI for violations of the First Amendment, claiming the FBI knew they were innocent but arrested them to try to silence them. Having survived the bomb but now stricken by cancer, Judi Bari, a leader of the movement to save California's old growth redwoods, gives her on-camera, deathbed testimony about the attempt on her life and her colorful organizing history with the radical environmental movement Earth First.
Swizlard
Un inteligente estudiante de ciencias químicas, Eddie Kasalivich (Keanu Reeves), descubre un caso secreto del gobierno para tapar un asunto de espionaje industrial. Eddie forma parte de un equipo de investigación que ha desarrollado una revolucionaria fuente de energía. Justo antes de haber alcanzado sus objetivos de trabajo una explosión destruye su laboratorio, mientras que el jefe de su equipo es misteriosamente asesinado. Eddie es acusado como principal sospechoso, por lo que se pone en contacto con el único que puede ayudarle, un poderoso burócrata (Morgan Freeman) que en un principio no se cree su historia.
Writer
Dos jóvenes amantes se enteran de que un pequeño grupo de extraterrestres con apariencia de niños están abandonados en la Tierra y están prisioneros en una instalación militar ultrasecreta. Luego, la pareja decide liberar a los náufragos extraterrestres y ayudarlos a reunirse con una nave de rescate enviada desde el planeta de origen alienígena.
Director
Dos jóvenes amantes se enteran de que un pequeño grupo de extraterrestres con apariencia de niños están abandonados en la Tierra y están prisioneros en una instalación militar ultrasecreta. Luego, la pareja decide liberar a los náufragos extraterrestres y ayudarlos a reunirse con una nave de rescate enviada desde el planeta de origen alienígena.
Screenplay
Al hacer un reportaje rutinario sobre el funcionamiento de una central nuclear, una reportera de televisión y su fotógrafo descubren un posible accidente que puede poner en peligro la seguridad de la planta y de la ciudad de Los Angeles.
Producer
Fred Hampton was the leader of the Illinois Chapter of the Black Panther Party. This film depicts his brutal murder by the Chicago police and its subsequent investigation, but also documents his activities in organizing the Chapter, his public speeches, and the programs he founded for children during the last eighteen months of his life.
Director of Photography
Fred Hampton was the leader of the Illinois Chapter of the Black Panther Party. This film depicts his brutal murder by the Chicago police and its subsequent investigation, but also documents his activities in organizing the Chapter, his public speeches, and the programs he founded for children during the last eighteen months of his life.
Camera Operator
American Revolution 2 begins with footage of the political demonstrations at the 1968 Democratic Convention and the forceful reaction of the Chicago Police Department and the National Guard. Investigating the lack of an African American presence at the protests, the filmmakers follow members of the Chicago chapter of the Black Panther Party as they search for common ground with a variety of white activist groups. In one scene, Panther Bobby Lee and members of the Young Patriots, a community of white Appalachian activists living in the Uptown neighborhood of Chicago, organize to protest police brutality. The seemingly disparate groups find shared social and political objectives that overcome racial differences – police violence, poverty, lack of employment, and poor living conditions. This potential for a cross-racial and interethnic political movement is the movie’s beautiful but unrealized dream.
Producer
American Revolution 2 begins with footage of the political demonstrations at the 1968 Democratic Convention and the forceful reaction of the Chicago Police Department and the National Guard. Investigating the lack of an African American presence at the protests, the filmmakers follow members of the Chicago chapter of the Black Panther Party as they search for common ground with a variety of white activist groups. In one scene, Panther Bobby Lee and members of the Young Patriots, a community of white Appalachian activists living in the Uptown neighborhood of Chicago, organize to protest police brutality. The seemingly disparate groups find shared social and political objectives that overcome racial differences – police violence, poverty, lack of employment, and poor living conditions. This potential for a cross-racial and interethnic political movement is the movie’s beautiful but unrealized dream.
Director
American Revolution 2 begins with footage of the political demonstrations at the 1968 Democratic Convention and the forceful reaction of the Chicago Police Department and the National Guard. Investigating the lack of an African American presence at the protests, the filmmakers follow members of the Chicago chapter of the Black Panther Party as they search for common ground with a variety of white activist groups. In one scene, Panther Bobby Lee and members of the Young Patriots, a community of white Appalachian activists living in the Uptown neighborhood of Chicago, organize to protest police brutality. The seemingly disparate groups find shared social and political objectives that overcome racial differences – police violence, poverty, lack of employment, and poor living conditions. This potential for a cross-racial and interethnic political movement is the movie’s beautiful but unrealized dream.
Director
For a generation of young activists, the reality of war, imperialism, racism and the growing fragility of democratic liberalism was too much to handle. Force became a means to wrestle with this tension. As the discourse of a “country torn” finds its way into mainstream political analyses (for many the deep divisions in this country are not a new political reality), we should reflect on the writings of political dissidents and radicals. We should recognize the diversity of political analysis that is very much alive. The histories of armed struggle, if taken seriously, provide us with a means to think more critically about the center, and complicate its claims of moral and political right.