Jacek Zygadlo

This is psychological drama by Tomasz Zygadlo begins as a straightforward story. Jan (Roman Wilhelmi) is the host of a nightly talk show in which he counsels people who call in with their problems. He is dedicated to helping these lonely souls but becomes increasingly disturbed when his co-workers and supervisors at the radio station do not appreciate his program; they seem unable to grasp the importance of what he is doing. Aside from that, Jan's private life is frayed around the edges. His wife is a heavy drinker and his mistress has no comprehension about who he is or what he is doing. Jan's frustration over this lack of recognition builds to an explosive level, threatening to upset the balance of his daily life.

Tres matemáticos polacos son los primeros en descifrar el sofisticado código Enigma utilizado por los alemanes justo antes de la Segunda Guerra Mundial. Construyen réplicas de las máquinas Enigma y logran llevar dos de las máquinas a los descifradores de códigos británicos y franceses antes de la invasión alemana de Polonia en 1939; piden que se reconozca su trabajo al final de la guerra. Después de la invasión, la oficina de cifrado polaca escapa y continúa su decodificación en Argelia y Francia desocupada.

Documental que refleja el trabajo duro y monótono de las mujeres durante largas horas.

Three-part film centered around a film being made by a group of young directors. In the first a working-class girl finishes school and has her first love affair, which ends badly. In the second a provincial boy with dreams of life in the theater has an affair with his boss' wife. They meet during the film's screen tests.

Szulkin detalla las tediosas tareas básicas de la vida diaria de un hombre y su esposa. Desde que se despiertan por la mañana, hasta que se disponen a descansar por la noche, el director entreteje escenas de la vida cotidiana con inserciones diegéticas de la hora del día, lo que nos permite sentir empatía con el hombre común de la clase obrera y su vida de mediocridad.

Szulkin stages a morality play about a sinful woman’s encounter with the devil, set to the Polish ballad of the same name and imbued with folkloric imagery.