Rafael Sánchez

Rafael Sánchez

Nacimiento : 1920-11-24, Santiago, Chile

Muerte : 2006-07-01

Historia

Considered the "father of the Latin American documentary", Jesuit priest Rafael Sánchez has his place in the history of Chilean cinema for many reasons. He was the founder of the emblematic Film Institute of the Universidad Católica of Chile (1955), from where he made his films and trained documentary filmmakers such as Patricio Guzmán. In addition, he wrote the book El montaje cinematográfico: arte en movimiento (1970), a work on editing technique with wide international influence. Filmed a single fiction film entitled El cuerpo y la sangre (1962), one of the fundamental films of the so-called New Chilean Cinema, which also features music created by the Franco-Chilean composer Juan Lemann.

Perfil

Rafael Sánchez

Películas

El Fiscal de Hierro 3
Electrician
Mario Almada returns as "el fiscal de hierro", in this entry his family is kidnapped by gang leader Ramona Pineda.
Ocaso
Editor
It tells the drama of a miner who begins to lose his daughter and must move from the mines to the coast and then to the countryside.
Faro Evangelista
Director
At the end of the world, at the southern tip of Chile, the Evangelistas lighthouse stands on one of four islands. A point of orientation, built in 1986 in order to guide the ships that sail, through the darkness of the Pacific Ocean.
Chile paralelo 56
Director
The last surviving natives of the Llaganes and Alacalufes tribes can be seen on the canals of southern Chile.
El cuerpo y la sangre
Writer
El filme trata el misterio de la misa desde una perspectiva teológica y filosófica, desarrollando un paralelo entre la misa y la familia, enfatizando los símbolos (El Cuerpo y la Sangre) y la vida en conflicto. De ahí su relación con diversas historias de dramas familiares como la de dos padres separados con su hija tratando de unirlos, un padre solo trabajando para su hija adolescente, una madre moribunda con tres hijos pequeños enfrentando el ocaso de su vida.
El cuerpo y la sangre
Director
El filme trata el misterio de la misa desde una perspectiva teológica y filosófica, desarrollando un paralelo entre la misa y la familia, enfatizando los símbolos (El Cuerpo y la Sangre) y la vida en conflicto. De ahí su relación con diversas historias de dramas familiares como la de dos padres separados con su hija tratando de unirlos, un padre solo trabajando para su hija adolescente, una madre moribunda con tres hijos pequeños enfrentando el ocaso de su vida.
Las Callampas
Director
Documentary showing the formation of the population "Victory," a decision made by people affected by the fire in the ditch of Aguada, where they lived before.