Henryk Boukołowski

A young TV producer struggles with his conscience when he becomes convinced that his TV program is covering up a lie, but the more he tries to reveal the truth the more uncertainty he discovers.

Joseph se dirige a visitar a su padre moribundo en un tren donde tanto el paisaje a través de las ventanas como los pasajeros, en aparente trance, y el propio estado del vehículo conforman un escenario que escapa a la razón. Sensación que se mantiene tras la llegada al sanatorio en el que está ingresado su padre, pues la curiosa estructura del edificio unida a su decadencia extrema no se ajusta a las expectativas concebidas sobre instalaciones dedicadas al cuidado de la salud. Tampoco le tranquiliza la conversación con el médico que atiende a su padre. Los métodos que dice emplear se asemejan a las fantasías de un lunático.

Poland's submission for the Academy Award for Best Foreign Language Film in 1973

An alternately restrained and outrageous adaptation of Edgar Allen Poe’s “The System of Dr. Tarr and Professor Fether” that like OKNO ZABITE DESKAMI before it was updated to the modern world. It features a young man and a lady friend driving to an insane asylum whose overseers the woman knows. Weirdness is evident before they even reach the place, in the form of a ranting maniac in a tree. More crazies are found freely wandering the grounds of the asylum, they being participants in an apparently revolutionary new system instituted by the asylum’s director. But the director seems just as nutty in his own way as the patients...

Count Olgierd Łabiński lives with his beloved wife in Paris in a beautiful palace. The Countess recalls her stay in Florence and her insistent admirer Octavius ​​de Saville. Soon, Octavius, arrives in Paris and calls for the famous Dr. Cherbonneau, suspected of being a charlatan. Citing the teachings of the East, Cherbonneau offers the patient an "avatar", a reincarnation of the soul, which takes a different body...

The 1937 trial of communist journalists, working for the same student magazine in Vilnius, is shown through the tragic life of the paper's young collaborator Julek Szulc.

"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."

Based on a true story of Polish submarine "Orzel" (The Eagle): September 1939, "Orzel" is coming to Estonian neutral harbor in Tallin. Under pressure from Germany Estonians have intern the ship. Commander Grabinski decides to escape to England through the Baltic Sea, without any maps that has been confiscated and with only small amount of fuel on board.

A doctor comes to terms with the Spanish Inquisition in a classic battle of science vs. religion.