Terry Riley

The story of Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums): The Who, one of the most original, creative and relevant British bands of the sixties and of the entire history of pop music.

Un tremendo aguacero golpea Montreal, y un espectacular sumidero se abre en el estadio Percival Molson en medio de un partido de fútbol. El estadio es evacuado, y unas horas más tarde, se convierte en un sitio arqueológico protegido. Siglos de historia se esconden bajo el campo. El arqueólogo Baptiste Asigny comienza a investigar, y descubrirá la cantidad de generaciones que han ocupado esta tierra, cada una con secretos enterrados.

In a natural crisis scenario, the entire population of Azores is forced to evict due to an uncontrolled plague of hydrangeas, a common flower in these islands. Two young soldiers, bound to the beauty of the landscape, guide us to the stories of sadness of those forced to leave and the inherent desire to resist by inhabiting the islands. The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we came from.

This documentary celebrates the life of a devoted musician: Pandit Pran Nath. The last in a long line of north Indian vocal masters in the Kirana style of Indian classical music, we trace his journey from India, accompanied by his disciple, the avant-garde composer Terry Riley, in their search for purity of expression.

Bruce Conner's 1996 revision of his Looking for Mushrooms (1967).

American composers have long struggled against the momentum of the Western European classical tradition and the prestige it has held in America's cultural life. "I did not want to have any stricture at all, I wanted to be completely free." So spoke Harry Partch, describing not only his own path, but also that of two other influential American composers: Lou Harrison and Terry Riley. They were attracted to musical ideas and sounds outside of the surrounding classical mainstream. Together they offer a deeper understanding of what those alternatives are and how they have affected American culture.

Surroundings of the Canal Saint-Martin’s in Paris, a popular district where modernization is just about to begin.

"Abstract video art created in 1976. Video by Dean Winkler and Chris Lambiase. Music by Terry Riley. This was created in real time using an RE-4 Rutt/Etra analog video synthesizer. After spending our January college break building the facility that housed the RE-4 and related equipment, we created this tape (with lots of patch cords) the night before we headed back to school." -Dean Winkler

The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley.

Cult icon Klaus Kinski features in this dark and intriguing existential thriller. He plays the mysterious "Swiss Man" - ruthless industrialist Nicolas Ulrich - who is obsessed with a search for the elixir of life. He tricks a young American scientist into joining him on his demonic quest. A quest that ends in suicide, death and madness. The story takes place in the atmospheric European city of Amsterdam. Its winding alleys and ancient canals trap the characters in a labyrinthine maze as they find themselves manipulated like figures on a giant chess board.

Opera televisiva organizada por Robert Ashley. Un proyecto extenso (su duración total llega a las 14 horas) que mezcla testimonios de compositores americanos de la segunda mitad del siglo XX con interpretaciones de su propia música; David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley y el propio Robert Ashley aparecen en este híbrido televisivo.

Protagonist is the young actor Yvan. During a tour, he witnesses the inexplicable suicide of one of his fellow actors. Back in Paris he tells Xénie, the ex-lover of the dead actor. Xénie is in love with Yvan, but the latter sinks deeper and deeper into a personal crisis. At a certain point he acts being blind and buys a pair of glasses with black lenses. He is fascinated by his new, more restricted manner of seeing and refuses to open his eyes. Reality makes way for his more and more obsessive imagination. The mixture of fantasy and reality meant that Santoni's approach was compared with that of Buñuel.

The body of a young woman falls on the terrace of Martha, who intrigued, meets her neighbor. In contact with this strange man, she learns to have a different look about her own life and her marital problems.

An abstract computer-generated animation set to music by Terry Riley.

An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.

“Coming Attractions” looks backward into the memories and forward into the future of Francis Francine, an elegantly dowdy transvestite of, and indeed beyond, a certain age. The memories, haunted by a Spirit of Seductions Past (played by a quite glorious naked young lady who fortunately bears absolutely no resemblance to Francis Fran cine) suggest a generally lurid life of sumptuous sex and questionable liaisons. The future, presented by an ancient fortune teller with a wonderful crystal ball that holds a lively go‐go dancer and that seems to mediate between interchanging black and white halves of the screen, follows Francis Francine through the reactivation of an ancient affair, to her death (a jealous ex‐lover) and her triumphant entrance into a pastoral paradise that looks like a cross between several scenes from “81/2” and “The Embarkation for Cythera” in drag.

Straight and Narrow is a study of subjective colour and visual rhythm, although it is printed on black and white film, the hypnotic pacing of the images will cause most viewers to experience a programmed gamut of hallucinatory colour effects. Through the intermediary of rhythm, the maximal impact is drawn from the simplest of universal human images: straight horizontal and vertical lines. Set to a strong percussive musical background, rapidly alternating images of black and white straight lines are juxtaposed in precise rhythmic patterns to create specific colours... if you can watch without becoming hypnotised...

Studio tape of special imagery in the form of a giant translucent balls swinging in pendulous motion, with electronic synthesizer music played by Terry Riley.

Studio tape of special imagery in the form of a giant translucent balls swinging in pendulous motion, with electronic synthesizer music played by Terry Riley.