Alireza Alavian

Shakib is a homeless day laborer who never got over the loss of his wife and son in an earthquake years ago. Over the last couple of years, he has developed a relationship with a deaf and mute woman, Ladan. The construction site on which he works today turns out to be the set of a film about the atrocities committed by Hitler during WWII. Against all odds, he is given a movie role, a house and a chance at being somebody. When Ladan learns about this, she comes to his workplace begging for help. Shakib’s scheme to hide her goes tragically wrong and threatens to ruin his newfound status and what seemed to be the opportunity of a lifetime.

A young couple who live in an old house, notice a car outside, that keeps parking in front of their property and suspiciously stares at it..

Involved in different legal and illegal petty works, Mohammad is working and living in a room in the biggest football stadium in Tehran with his wife and his little son. During a riot in Tehran, he disappears when two women are looking forward to seeing him impatiently: his wife, Maryam, who is desperately seeking him all through the city, and a convicted woman, Shahla, who needs him as the only witness who can save her from death with a confession in the appeal court…

Reino de Jamkard, antigua Persia. Después de derrotar a los ejércitos de Ahriman, encarnación del mal, el rey Jamshid, portador de la luz del Poder Divino, abandona a su pueblo cegado por el orgullo, decidido a conquistar nuevas tierras. Así, por casualidad, Zahhaak se convierte en regente y emprende la reconstrucción de la devastada capital. Pero entonces Ahriman, que habita en el corazón de cada ser humano, comienza a envenenar su alma atormentada.

Reino de Jamkard, antigua Persia. Después de derrotar a los ejércitos de Ahriman, encarnación del mal, el rey Jamshid, portador de la luz del Poder Divino, abandona a su pueblo cegado por el orgullo, decidido a conquistar nuevas tierras. Así, por casualidad, Zahhaak se convierte en regente y emprende la reconstrucción de la devastada capital. Pero entonces Ahriman, que habita en el corazón de cada ser humano, comienza a envenenar su alma atormentada.

Negar and Amirali are going to immigrate, but at the very last moment, they face a critical situation: their son, Bardiya, goes missing. Now it is time to unfold all the family secrets…

This film is a story of two bastards that after the death of their father, their wife has been tracked down and for the sake of doing business in China, they are betraying Pattaya, but their confrontation with the old friend mixes everything.

Afrooz es la capitana de la selección de fútbol sala de Irán. Tras 11 años de duro trabajo, su esfuerzo se ve finalmente recompensado: la selección ha llegado a la final del la Copa Asiática de Naciones . Sin embargo, cuando trata de viajar descubre que su marido le ha prohibido abandonar el país. Esto desencadena una serie de reacciones que sirven como reflexión social en un país en el que la mujer ha de pedir permiso al hombre para prácticamente cualquier gestión que desee realizar.

Una famosa actriz iraní recibe el video inquietante de una joven pidiendo su ayuda para escapar de su familia conservadora. Entonces pide a su amigo, el director de cine Jafar Panahi, que le ayude a entender si se trata de una manipulación. Juntos, emprenden camino hacia la aldea de la chica en las remotas montañas del Noroeste, donde las tradiciones ancestrales continúan rigiendo la vida local.

Una famosa actriz iraní recibe el video inquietante de una joven pidiendo su ayuda para escapar de su familia conservadora. Entonces pide a su amigo, el director de cine Jafar Panahi, que le ayude a entender si se trata de una manipulación. Juntos, emprenden camino hacia la aldea de la chica en las remotas montañas del Noroeste, donde las tradiciones ancestrales continúan rigiendo la vida local.

Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.

The story is about a family of three brothers and a sister in the suburbs of the city's poverty. Their elder brother owns a drug-producing kitchen and presides over the group, like a shepherd for sheep.

Reza trabaja en una piscifactoría y lleva una vida sencilla y tranquila con su mujer y su hijo en un pueblo del norte de Irán. Pero una compañía privada con contactos en el gobierno y las autoridades ha tomado el control de la vida en la región. Bajo la presión de esta compañía, mucha gente participa en una extensa red de corrupción.

Reza trabaja en una piscifactoría y lleva una vida sencilla y tranquila con su mujer y su hijo en un pueblo del norte de Irán. Pero una compañía privada con contactos en el gobierno y las autoridades ha tomado el control de la vida en la región. Bajo la presión de esta compañía, mucha gente participa en una extensa red de corrupción.

Two families who live in neighborhood in south of Tehran have different looks to life. These differences make some troubles for both.

When the resident singer at a venue that hosts weddings and funerals abruptly quits his job, a young, charming new singer (Hamed Behdad) is hired. Unexpectedly, a romantic relationship begins to develop between him and older, widowed woman who also works at the venue, though neither is immediately aware of the other’s emotions. The romance that ensues creates as much chaos as it does tenderness. This is a star-studded and incredibly entertaining ride.

A young couple have problems in their marriage.

A divorced woman leaves Damghan with her child to live and work in Tehran but her ex-husband does everything in his capability to force her to go back.

After an unexpected incident happens for a middle-aged man's wife's corpse, he gets very depressed, anxious and violent.

Mania Akbari’s From Tehran to London (2012), has a Russian-doll structure. It begins with Akbari shooting her latest film entitled Women Do Not Have Breasts about a couple, the young poet and writer Ava and her upper-class older husband Ashkan, who live in a large, beautiful – yet isolated – house in the hilly outskirts of the city. Household workers Maryam and Rahim attend to their needs. But despite their comfortable lives, Ava is increasingly dissatisfied and estranged in her relationship with Ashkan. What seems to have been an exciting relationship in the past is now little more than a series of mutual reproaches, as Ashkan incessantly tries to change Ava into someone she isn’t – a dutiful wife.

Mania Akbari’s From Tehran to London (2012), has a Russian-doll structure. It begins with Akbari shooting her latest film entitled Women Do Not Have Breasts about a couple, the young poet and writer Ava and her upper-class older husband Ashkan, who live in a large, beautiful – yet isolated – house in the hilly outskirts of the city. Household workers Maryam and Rahim attend to their needs. But despite their comfortable lives, Ava is increasingly dissatisfied and estranged in her relationship with Ashkan. What seems to have been an exciting relationship in the past is now little more than a series of mutual reproaches, as Ashkan incessantly tries to change Ava into someone she isn’t – a dutiful wife.

Actress Leila bursts into laughter on camera during the filming of a dramatic scene. Her improper behavior is a reaction to the recent death of her husband Koshrow, who accidentally fell down a flight of stairs. And it is Koshrow who serves as the film’s somewhat unreliable narrator, appearing in the movie even after his death. The couple’s complicated yet loving relationship unfolds as a delicately ironic detective story inside the elusive and, at the same time, obsessively arranged space- time of memory. Nevertheless, it reveals Koshrow’s secret life crisis and delves deep into the past, to an ancient house in the mountains.

In a society where all social customs are based on the beauty of a woman, her challenge is to find self confidence and inner beauty despite having lost her physical beauty.

Inside a beat up stadium in Kirkuk, Iraq, live many refugees trying to escape Sadam Hussein's administration. Asu lives with his younger brother who has lost his legs from a landmine. Next door lives Hilin, who has not been able to express her feelings. One of the only sources of happiness for these people who live amid fear of poverty and bombings is soccer. Asu gathers together the Kurdish, Arabs and Turkish in order to hold a soccer match. Although they are of different races, they become close neighbors.

Inside a beat up stadium in Kirkuk, Iraq, live many refugees trying to escape Sadam Hussein's administration. Asu lives with his younger brother who has lost his legs from a landmine. Next door lives Hilin, who has not been able to express her feelings. One of the only sources of happiness for these people who live amid fear of poverty and bombings is soccer. Asu gathers together the Kurdish, Arabs and Turkish in order to hold a soccer match. Although they are of different races, they become close neighbors.

Inside a beat up stadium in Kirkuk, Iraq, live many refugees trying to escape Sadam Hussein's administration. Asu lives with his younger brother who has lost his legs from a landmine. Next door lives Hilin, who has not been able to express her feelings. One of the only sources of happiness for these people who live amid fear of poverty and bombings is soccer. Asu gathers together the Kurdish, Arabs and Turkish in order to hold a soccer match. Although they are of different races, they become close neighbors.

During the war between Iran and Iraq, a group of Iranian Kurd musicians set off on an almost impossible mission. They will try to find Hanareh, a singer with a magic voice who crossed the border and may now be in danger in the Iraqi Kurdistan. As in his previous films, this Kurdish director is again focusing on the oppression of his people.

When guests abandon Maryam's mother's funeral reception due to power outages, she finds herself overwhelmed and discovers a life-changing truth about her own origin.

Ayoob must be transferred to Kerman immediately for his illness. The fastest vehicle available is Jafar's hearse.