Koji Matsumoto

Películas

Hellish Love
Screenplay
Basada en una historia de fantasmas japonesa tradicional, la película narra la historia de un hombre que se enamora profundamente de una mujer misteriosa, solo para descubrir que pertenece al mundo de los muertos.
Concubine Secrets: Lustful Dance
Screenplay
The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.
Glorious Moment: A Woman's Scroll
Screenplay
Osono and Eisuke would like to get married but with her up to her neck in debt due to her late father's illness and him trying to raise the funds to start a business, they can't afford to do so. Osono agrees to work as a geisha and eventually is tricked into becoming a businessman's mistress, all because she wants to help her lover. The businessman, in turn, is actually only interested in training her so he can hand her over to a palace official in exchange for a trade agreement...
Coed Report: Blooming Yuko
Screenplay
Roman Porno from 1971. Sequel to Coed Report: Yuko's White Breasts (1971).
If You Were Young: Rage
Writer
If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plane - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.
Zatoichi the Outlaw
Screenplay
When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.