Roee Rosen
Nacimiento : 1963-01-27, Rehovot, Israel
Historia
Roee ROSEN (1963, Israel) is an artist, filmmaker, writer and lecturer. He was educated at the art academy in New York. Rosen’s work is known for his multilayered and provocative work which often challenges the divides between history and the present, documentary and fiction, politics and erotica. Rosen dedicated years to his fictive feminine persona, the Jewish-Belgian Surrealist painter and pornographer Justine Frank, a project that entailed fabricating her entire oeuvre as a book and a short film, Two Women and a Man (2005). His installation Live and Die as Eva Braun (1995-1997), about the Holocaust, developed from a scandal into a groundbreaking work. Rosen’s short film Out (2010) was awarded the Orizzonti Award at the 67th Venice Film Festival. His latest film is a musical comedy combining fiction, animation and documentary element, entitled Kafka for Kids (Tiger Competition IFFR 2022).
Screenplay
Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.
Director
Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.
Producer
Roee Rosen utiliza la recreación como arma política para narrar un drama contemporáneo y el discurso performático y proponer una brillante reflexión sobre el poder criminal de la ley cuando ésta se pone al servicio de un Estado imperialista y reaccionario. La capacidad del gesto, la mirada y la palabra para llevar a cabo una sutil a la vez que apabullante crítica social. (JFM)
Screenplay
Roee Rosen utiliza la recreación como arma política para narrar un drama contemporáneo y el discurso performático y proponer una brillante reflexión sobre el poder criminal de la ley cuando ésta se pone al servicio de un Estado imperialista y reaccionario. La capacidad del gesto, la mirada y la palabra para llevar a cabo una sutil a la vez que apabullante crítica social. (JFM)
Director
Roee Rosen utiliza la recreación como arma política para narrar un drama contemporáneo y el discurso performático y proponer una brillante reflexión sobre el poder criminal de la ley cuando ésta se pone al servicio de un Estado imperialista y reaccionario. La capacidad del gesto, la mirada y la palabra para llevar a cabo una sutil a la vez que apabullante crítica social. (JFM)
Writer
The Dust Channel es un cadáver cultural exquisito: una opereta con un libreto en ruso sobre un electrodoméstico británico, un aspirador Dyson DC07, ambientado en una realidad israelí de perversión privada y fobias socio-políticas.
Director
The Dust Channel es un cadáver cultural exquisito: una opereta con un libreto en ruso sobre un electrodoméstico británico, un aspirador Dyson DC07, ambientado en una realidad israelí de perversión privada y fobias socio-políticas.
Production Design
Truth or daring under the fictive gaze of Maxim Komar-Myshkin with unexpected allusions to Morphy Richards and the household iron, comes a black magical omnibus of posturing and illusion from a dysfunctional band of Soviet émigrés. Their hatred is democratic, their hatred is universal.
Screenplay
Truth or daring under the fictive gaze of Maxim Komar-Myshkin with unexpected allusions to Morphy Richards and the household iron, comes a black magical omnibus of posturing and illusion from a dysfunctional band of Soviet émigrés. Their hatred is democratic, their hatred is universal.
Director
Truth or daring under the fictive gaze of Maxim Komar-Myshkin with unexpected allusions to Morphy Richards and the household iron, comes a black magical omnibus of posturing and illusion from a dysfunctional band of Soviet émigrés. Their hatred is democratic, their hatred is universal.
Screenplay
Hilarious is set to examine the possibility of dysfunctional humor and laughter stirred when there is no reason to laugh. Hilarious presents a stand up monologue of a female comedian performing live in front of a studio audience. If humor is a mechanism set to cope in particular ways with disturbing, sometimes forbidden topics, this performance not only offsets these structures through their failure, but also offers a different manifestation of these topics, left exposed without the guise of laughter.
Director
Hilarious is set to examine the possibility of dysfunctional humor and laughter stirred when there is no reason to laugh. Hilarious presents a stand up monologue of a female comedian performing live in front of a studio audience. If humor is a mechanism set to cope in particular ways with disturbing, sometimes forbidden topics, this performance not only offsets these structures through their failure, but also offers a different manifestation of these topics, left exposed without the guise of laughter.
Producer
A dominance & submission trashing scene. But in this session, the painful blows cause the sub to spew out sentences - all of which are quotes from Israel's minister of foreign affairs, Avigdor Lieberman.
Screenplay
A dominance & submission trashing scene. But in this session, the painful blows cause the sub to spew out sentences - all of which are quotes from Israel's minister of foreign affairs, Avigdor Lieberman.
Director
A dominance & submission trashing scene. But in this session, the painful blows cause the sub to spew out sentences - all of which are quotes from Israel's minister of foreign affairs, Avigdor Lieberman.
Director
Director
At the beginning of Confessions Roee Rosen declares that now that he is about to die, he disavows a career replete with lies, scandals, and fake identities. and joins the confessional tradition that leads from St. Augustine to American TV. These confessions, however, are delivered by female surrogates - Roee Rosen 1, 2 and 3 - three illegal foreign workers residing in Israel. They deliver the monologues in Hebrew, a language they do not speak, by reading a transliteration of the text to Latin letters from a teleprompter. Marks on the teleprompter scroll indicated to the performers to occasionally mimic the body movements and facial expressions of the real Roee Rosen, at the other side of the camera. The text is built as a hybrid: on the one hand, it offers a rather dubious account of my own "crimes," but on the other hand, it is partially plausible as a monologue of a foreign worker.
Director
Director
Director
Justine Frank was a Jewish Belgian painter and writer close to the Surrealists — an artist the world truly needed. Roee Rosen found her. He was also, via the mysterious Johanna Führer-Ha’sfari, involved with the translation of Frank’s magnum opus, Sueur douce (Sweet Sweat).
Director
