Stall-Erik och snapphanarna is a Swedish film project that began filming in 1996 with a preliminary premiere in 2025. Director, producer and lead actor is Anders Olofsson. Olofsson is entirely responsible for the financing of the project and the casting.
Stall-Erik och snapphanarna is a Swedish film project that began filming in 1996 with a preliminary premiere in 2025. Director, producer and lead actor is Anders Olofsson. Olofsson is entirely responsible for the financing of the project and the casting.
Jan-Olof has an unresolved relationship with his father, and during the days leading up to the funeral, he tries to find out who the father really was. The practical arrangements for a funeral are often of a tragicomic nature.
Erika is 13 years and lives with her parents and her grandmother in the far north of Sweden in the 1940's. The family is depressed and disappointed in life. Erika dreams of a separate being in another world.
Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.
After years of ignoring the shy cousin whom she and her peers taunted mercilessly as a child, a middle-aged woman (Ingrid Thulin) wrenches the poor man (Erland Josephson) out of his self-chosen solitude to accompany her on a trip. Despite developments which deepen their knowledge of one another, the communication between them does not portend long-lasting intimacy.
Mackan's real name is Margaret. She is 14 and move a lot because her father is employed at the Railroad Company. In a small town she meets Kenneth.He is 18 and the coolest guy in town. Their relationship is a major triumph for Mackan.
Jan and Gertrud have a sexual relationship, even though they are half siblings. Jan is an air traffic controller, while Gertrude is writing a dissertation on ferns. Jan falls in love with another woman, Jenny.
A small picturesque town at the turn of the century. The conservative views of the townspeople are shaken when they find out that the school teacher Franzén published his own poetry anonymously many years ago. At the same time he acknowledges his love affair with a waitress at the city hotel, Fanny. What is most upsetting is the fact that Fanny has a grownup daughter, Anna, with no known father. Could their poet teacher be the father although he and Fanny are not married?
