Cyril Troley

Rouen in 1986. Out of love, out of boredom, by chance, by a miracle, or perhaps by mistake, Franck suffers a capillary shock that will change his life in his rainy town.

A young woman tries to adjust to freedom after she spends eight years as a prisoner to a strange man.

France 2011.

A girl on the verge of maturity tells her family and friends in the French countryside so many lies about her hidden relationships that they can hardly be called 'white lies' anymore. It gradually becomes clear what secret she's bearing with her.

Adoptada por una pareja de suizos adinerados con el hijo un poco mayor y su hija, nunca Vinh cortado los vínculos con su país de origen. Postales de la familia adoptiva regularmente transmitida a la madre de Vinh en tranquilidad de Vietnam sobre el calor y el ambiente de consolidación que ella siempre ha deseado para su hijo. Ahora crecido, Vinh se va a casar, después de tantos años, la boda es la oportunidad ideal para que su madre, acompañada por el CAD de su tío, para visitar a la familia adoptiva. Nada podría causar una mayor consternación entre sus miembros. Los padres se sometió a una menos de divorcio amistoso, el padre está en bancarrota, la hermana distanciado, el melancólico hermano mayor, el modelo de familia dividida. ¿Qué puede hacerse para evitar la decepción inevitable y profunda de la madre de Vinh y Dac tío cuando descubren el fiasco?

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

This film about the Algerian war shown at the April-May 2006 San Francisco International Film Festival was also currently on view in theaters in France.

This film about the Algerian war shown at the April-May 2006 San Francisco International Film Festival was also currently on view in theaters in France.

This film about the Algerian war shown at the April-May 2006 San Francisco International Film Festival was also currently on view in theaters in France.

This film about the Algerian war shown at the April-May 2006 San Francisco International Film Festival was also currently on view in theaters in France.

In Paris, in 1943, Jules, a 19-year-old Jew, lived without an ideal, tossed about by circumstances. He becomes in turn a traitor then a hero. Thomas, his fifteen-year-old brother, wants to act and fight in resistance.

First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.