Frank
Tony is a young man with a gambling habit: he loses $10,000 in a poker game with Drumond, the boss of the neighborhood, and has 24 hours to settle the debt. To obtain this sum, he agrees to steal a large-scale car on commission, but finds himself unexpectedly forced to kidnap Liza, a young and beautiful television journalist who owns the car. Both are attracted to each other and experience (with mutual pleasure) a sexual relationship at Liza's home. After sex, Liza's drugs Tony's food and handcuffs him to the headboard of the bed, overturning the situation in her favor, making him her hostage. Completely naked and immobilized, he becomes her sex toy, allowing her to try new and pleasant experiences. By the time Tony is freed, Liza is ready to move on, but Tony remains hopelessly obsessed with her.
The three Diablo brothers are effete dandies who love chamber music and afternoon tea... but they also love brawling and whoring and all that wild west stuff. They inherit a ranch, and all hell breaks loose when they go to take ownership of it.
An adventure thriller directed by Fernando Méndez.
Un antiguo deportista retirado, un estudiante de derecho y un delincuente de poca monta se unen para planear y perpetrar el robo de unas joyas transportadas en el furgón del correo expreso de Andalucía.
Tras la copla infame que hacía imposible su vida en Calatayud, la Dolores huye. En otro pueblo encuentra acomodo y un esposo viudo con una hija. Ésta y el hermano de quien lanzó la injuriosa jota hacen de nuevo la vida imposible a la desdichada Dolores que, pasados unos meses y muerto el marido, tiene que emprender sola y derrotada una amarga existencia por los caminos de Aragón.
Adaptación de la comedia homónima de Pedro Calderón de la Barca (1629). Doña Ángela se propone conquistar a Don Manuel, burlando la vigilancia que sobre ella ejercen sus dos hermanos varones. Para ello, traza un ingenioso plan que le permite comunicarse con su amado de manera misteriosa e inexplicable, adoptando la apariencia de un duende o fantasma.
