Michel Fournier

Antoine, a lonely and grumbling chap, lives in a small flat inside a more or less abandoned house in the rear of some outskirts; being slightly disabled -as a child he got accidentally blown up on a war mine-, he cuts himself of from the rest of the world, the only relationship and communication he holds are with his canary bird. Alain, about 30 years old, has no sentimental, professional or family ties. Each of them stays in his own area, one being centrifugal, the other one being centripetal. Chance, or destiny, as may be, will provoke the meeting of these two somewhat special characters. Then, new relations will grow from mere observation to kind affection, from help to curiosity, from friend-ship to suspicion, from empathy to exasperation, and from comprehension to denial. Up to the point where, according to the laws of nature, or mere wickedness -as may be- they come to stupidly destroy each other.

El y Ella, sin nombres que los identifiquen, pero con conversaciones y reflexiones que los hacen únicos. Un director de cine y su mujer. Una pareja que malvive el sexo mientras intentan descubrir el porque están juntos.

Athanor (Nico) is searching for fire. A flame is always at the foreground. Nico naked in tombs, looking at herself in circular mirrors, Nico in castles, keeper of the fire. Nico and Musky as medieval princesses. Athanor is a film about fire.

A young man recalls his affair with a young French woman who traveled with him across the United States. They began to drift apart during the trip, and eventually each had affairs with other people before realizing that their relationship had run its course.

A composition of symbolic, surreal and almost mystic images.

Memory of what belongs to the invention of cinema. the film is a single shot to be shown in any order and size (Normal or scope) made in eight hours with a machine that conceptualizes light.

La Virgen María da a luz a un Jesús ya adulto que desde el primer momento se encuentra a disgusto en la Tierra y clama al cielo tratando de que su Padre atienda sus quejas. A lomos de un burro, Jesús emprende sin ninguna convicción su camino para, con la ayuda de un megáfono, tratar de difundir su mensaje en un mundo permanentemente hostil que no quiere escucharle.

An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.

La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.

A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light.

Parallel lives of two couples destined to suicide, one, and unhappiness, the other.