Celia Manzano

Películas

Presagio
Doña Lucía
While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.
Los murciélagos
Cowboy-justice guy breaks up a criminal gang who are terrorizing a small town with the appearance of vampire activity.
Frente al destino
El rico Francisco saca su dinero del banco y compró una pistola. Al salir de la armería, choca su auto y al esconderse en casa de un amigo pintor, descubre que éste es amante de su mujer y lo mata. Prófugo en Puerto Rico defiende a una vedette, que huye de un traficante.
El pueblo fantasma
Amalia
Sigue de El texano. Manuel Saldívar El texano llega a un pueblo dominado por un pistolero Río Kid, que le revela que su progenitor era un asesino. El texano decide limpiar su nombre haciendo el bien y descubre que el pueblo está aterrorizado por la desaparición de cadáveres y que Río Kid es un vampiro. En el pueblo no lo creen pero él reta a duelo al pistolero sobrenatural siempre vestido de negro y lo mata con una bala de plata. Continúa en El secreto de El texano.
La comezón del amor
Romantic comedy about two school-teachers with show-biz aspirations.
El proceso de las señoritas Vivanco
Inés / The warden
After being arrested the two adorable grannies spend some time in jail and then stand trial for the robberies they've committed.
Quinceañera
Doña Lucía
María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.
Después de la tormenta
This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.