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Chris Collier

Nacimiento : , Brighton, England

Historia

Chris Collier was born on August 1, 1973 in Brighton, East Sussex, England. He is a director known for FrightFest: Beneath the Dark Heart of Cinema (2018) and Phometrica (2015). His work is primarily as a documentary filmmaker, where he has also produced a variety of projects including Morbid Fascination: The Nekromantik Legacy (2014) and In Conversation with the Death King (2014). In contrast to this, the majority of his other work tends towards experimental art-house where he has made a number of films including several one-off installations. His initial work in film was primarily in the sound department, completing the sound design on a number of projects. This included the sound restoration for feature documentary The Woods Movie (2015). The initial move to film was a natural progression from music production, a field where he continues to work. Whilst developing future projects he has continued to work in both the sound department and as an editor on a number of short subjects and feature films. He is a founding partner in the 24 Foot Square production company.

Películas

FrightFest: Beneath the Dark Heart of Cinema

FrightFest: Beneath the Dark Heart of Cinema

Director

Assembling a vast range of footage from every single past event and putting together dozens of interviews, the result is a warts-and-all look at the people behind FrightFest and what makes the UK’s best genre festival tick.

Art Direction

Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.

Editor

Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.

Writer

Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.

Director

Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.