The autobiographical films made by German-Argentine experimental artist Marie Louise Alemann explore performativity and layers of the self. Paulo Pécora's portrait of Alemann, recorded in 2013, pays her loving tribute. Alemann's figure gradually comes into view from amidst a sea of black-and-white Super 8 grains while her voice speaks gently about how cinema entered her life.
This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.
Documental sobre la cineasta experimental Marie Louise Alemann.
Production Assistant
Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.
N°115
Reel 12 of Gérard Courant's on-going Cinematon series.
Wearing a swimming cap and one-piece, with a bright white face, an alien-like woman circles the camera, snarling and contorting her jaw, using a rainstick as a shield.
Director
Marie Louise Alemann, who died in February 2015, was an experimental filmmaker based in Buenos Aires. She worked on Super8 and developed a bold yet enigmatic style, frequently performing in her own films, and emphasising physical sensations and the primacy of the body. In the words of curator Federico Windhausen, her Umbrales ‘deserves to be seen as a major work of Latin American queer cinema’.
Director
Wearing a swimming cap and one-piece, with a bright white face, an alien-like woman circles the camera, snarling and contorting her jaw, using a rainstick as a shield.
Director
A group of people, blindfolded and fed distorted German dialogue through headphones, sit at a table and feel their way towards the food in the centre.
A woman hides in the forest, attempting to become one with the landscape.
Director
A woman hides in the forest, attempting to become one with the landscape.
Director
Diversos experimentos de filmación de rostros.
Herself
An exercise in portraiture with a Super 8 camera, Juan José Mugni portrays filmmaker Marie Louise Alemann in a number of different shots.
Director
Different feelings in several visual formulations.
Herself
In a forest, a woman is bound by rope and string to the trees. Gradually, she begins to remove the bindings.
Director
In documentary fashion, drag queens are shown preparing for a performance, of which clips are also shown.
Director
In a forest, a woman is bound by rope and string to the trees. Gradually, she begins to remove the bindings.
Cinematography
"Screen test" con un toque surrealista donde se ven retratados la propia directora, Walter Mejía, Narcisa Hirsch, Katja Alemann, entre otras personalidades cercanas a Marie Louise.
Director
"Screen test" con un toque surrealista donde se ven retratados la propia directora, Walter Mejía, Narcisa Hirsch, Katja Alemann, entre otras personalidades cercanas a Marie Louise.
"Screen test" con un toque surrealista donde se ven retratados la propia directora, Walter Mejía, Narcisa Hirsch, Katja Alemann, entre otras personalidades cercanas a Marie Louise.
