Regina Flores Ribot

Películas

Uzi
Sol
Uzi is the name of a firearm, but also is the diminutive of Uziel, who used to be a hitman in his youth. Now he lives crushed by guilt. His crisis deepens when he helps in a childbirth: the force of life fascinates him, and he does not understand how he was able to destroy it in the past.
Las niñas bien
Toñis
En medio de casas de lujo, autos Grand Marquis y música de Julio Iglesias, Yuri y Menudo, Sofia y un grupo de mujeres viven los devenires del clasismo, las buenas costumbres y las crisis económicas.
Fierro Viejo
Tere
Raúl es un fierrovejero retirado que tenía una labor muy importante: Colocar los fierros recolectados en el subsuelo fangoso de la Ciudad de México para evitar el hundimiento de los edificios. Al ser alcanzado por la edad, su hija decide llevarlo a un asilo para alejarlo de los peligros de su oficio. Raúl hará lo posible para cumplir con su tarea para así salvar a su familia y a toda la Ciudad de un colapso inminente.
Cosas con las manos
Madrina
Fernando no puede olvidar a Sofía. Ella se fue hace tiempo y aún las cosas más pequeñas le recuerdan a ella. Al conocer a Liz, él manipula sus propios recuerdos para superar el pasado, pero un extraño ser creado por su mente se interpondrá en su camino.
The Sweetness of Life
Manuela
Ana, a 7 year old girl, tries to understand and be a part her grandfathers funeral despite her mothers efforts to keep her away.
La historia negra del cine mexicano
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
Distancias Cortas
Mamá de Fede
Fede is an overweight man, who finds it difficult to move around his own house. One day he finds in photography a way to change his life forever.