Ljube Petkovski
Nacimiento : 1924-12-04, Skopje, Macedonia
Muerte : 2015-02-16
Director of Photography
Destinies of two friends-fighters during WW2.
Director of Photography
A story about a man who appropriates other people's knowledge and achievements and erects a monument to himself in whose justification and necessity he believes.
Cinematography
"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.
Director of Photography
Young scientist Zare and his wife, a theater costume designer Mira, live in a rented apartment where they were under the pressure of curious and disturbing neighbors. Once Zare was given the keys of the Ethnographic Museum in Ohrid in order to sort out the situation in this museum, this means escape for the family.
Director of Photography
The story of a famous group of Macedonian terrorists that opposed Ottoman repression at the beginning of 20th century.
Director of Photography
Dubrowsky (Italian: Il vendicatore) is a 1959 Italian- Yugoslav historical period drama film directed by William Dieterle. It is based on the novel Dubrovsky by Alexander Pushkin.
Director of Photography
A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.
Writer
Documentary about frescoes to be found in several churches in Macedonia.
Writer
A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.
Cinematography
Dervisi: This 1955 documentary reveals the strange practices of one of the most ancient Muslim denominations and rites that aim to achieve mystical ecstasy.
Cinematography
Skopje's old bazaar depicting the old, already ancient crafts carried out by tailors, coppersmiths, goldsmiths, silversmiths, leather craftsmen, etc.
Cinematography
The film describes the Macedonian wedding customs during the religious holiday St. Peter's Day (Petrovden) in the Macedonian village of Galichnik and its surroundings. One can see the preparations for the wedding, as well as all the customs till the young couple's first wedding night.