Luis Mussot

Salvador acompañado de dos amigos de su padre a los que él llama tios, llegan a una feria en el pueblo, ahi conoce a Ana, al ganar una apuesta le pagan con una casa hipotecada, para su sorpresa al entrar en ella se da cuenta de que Ana y su madre Vivian en ella, provocando un enredo divertido pero con un explosivo final.

El arrogante Arizmendi, campeón de pelota vasca, vive intoxicado por sus triunfos y desdeña a las mujeres que lo aman. Un chantaje compromete a Arizmendi a perder un partido. Convencido de poder salirse con la suya, Arizmendi no cumple el pacto y debe enfrentar la venganza del villano Marcial Gómez

Para salir de la miseria, un hombre se une a una banda de delincuentes y en su primer asalto se cree responsable del asesinato de un velador. Decidido a ser honrado, va a ver a un empresario que le da empleo y en el cual asciende rápidamente y adquiere una buena posición, solo que el pasado le sale al encuentro, obligándolo de nuevo a delinquir y esta vez involucrando familia y amigos.

Amor a la vida es una película mexicana dirigida por Miguel Contreras Torres y protagonizada por Fernando Soler, Alicia Caro, Armando Soto La Marina, Agustín Isunza, Arturo Soto Rangel.

A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Standard retelling of the the Gospels, with a brief epilogue about the death of Mary.

Legendary superstar María Félix, stars in this melodrama noir playing the role of Raquel, a woman who has a passionate love affair with married aristocrat Antonio. However, a sensual sculpture untitled “The Kneeling Goddess” and modeled after Raquel will lead Antonio down a memory lane he'd rather soon forget.

On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.

Adaptation of a Spanish operetta about a love triangle between two fisherman and a human female.

Arsenio Lupin is an audacious Parisian thief who mocks the police, especially Inspector Ganimard, but turns over most of his ill-gotten gains to charity. One night, he attends a party disguised as a newspaper writer who also mocks Ganimard; the next morning, the host's wife and a male guest are found murdered, and Ganimard arrives to solve the crime. A Mexican version of the Arsene Lupin character, with Sherlock Holmes tossed in as a cameo at the end.

Latter part of the career of Padre Morelos, the 18th/19th century military leader. Sequel to... um... El Padre Morelos.

A 1941 film directed by Vicente Oroná.