Mitsue Tachibana

The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.

Gangsters Ken and Maki are rivals in the ticket-scalping game. They make an uneasy truce, but Ken wrecks the truce by agreeing to fix a boxing match in which Maki has an interest in one of the fighters. After a terrible brawl, the two gangsters discover that they have both been played for suckers by their bosses. They join forces to turn the tables on the bosses.

A human billboard and a shoeshine girl met a kid of five who got separated from her mother at a street of Ginza. They try to find a mother in a crowded town...

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

Jidai-geki by Kiyoshi Saeki

Situada poco después de la Segunda Guerra Mundial, El almuerzo cuenta las dificultades matrimoniales entre el salaryman Hatsunosuke y su mujer Michiyo. Se centra en la crisis emocional de una ama de casa aburrida. El tedio de su vida doméstica -consumida por la repetición de labores como cocinar y limpiar- aumenta con la visita de la sobrina de su marido, Satoko. Su llegada y la excesiva atención que le presta su marido, provocan el aumento de la infelicidad de Michiyo, forzada a enfrentarse con su futuro

Melodrama by Kiyoshi Saeki

The Angry Street includes a great deal of location shooting in the rebuilt city, including downtown streets, residential neighborhoods, the campus of the University of Tokyo, and the high life of jazzy dance halls. Sudo (Hara Yasumi) and Mori (Uno Jukichi) are two university students who make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Over the course of the film, Sudo becomes involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister, Masako (Wakayama Setsuko). In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

A film by Kiyoshi Saeki

Teacher Yukiko finds herself in opposition to conservative faculty and villagers after defending a student for being in a relationship with a young man from Tokyo.

Dos hermanas, una bailarina y la otra supervisora de guiones de un gran estudio de cine, se ven envueltas en una huelga de trabajadores del ferrocarril.