Script
Un carruaje habitado por aristócratas escapa hacia algún lugar desconocido. Sexo y violencia: la muerte los acecha y ellos gozan. Sin nada que perder, mientras atraviesan caminos oscuros, en la noche de su reinado, estas figuras decadentes dan rienda suelta al libertinaje.
Writer
This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.
Writer
Cosimi es una adaptación libre de “El elixir de la vida” de Honoré de Balzac. Es la historia de Cosimi, un joven que vive con su padre en un palacio de la ciudad de Murnau, pasando sus días entre mujeres jóvenes, comidas y vinos, debatiendo sobre arte y literatura, hasta que su padre está en su lecho de muerte.
Writer
Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.
