Ethan Samuel Dunlap

FRIDAY, AUGUST 29th, 2017: three local teenagers stumble on the aftermath of a grisly crime. MONDAY, SEPTEMBER 1st, 2017: two people are dead, a boy is in intensive care, and the most notorious narcotics dealer in the South Shore is in custody. 6 YEARS LATER: a novelist, a retired FBI detective, a public-access documentary program, and a survivor try to make sense of it. A director's cut/remix of SEE YOU NEXT WEEKEND.

FRIDAY, AUGUST 29th, 2017: three local teenagers stumble on the aftermath of a grisly crime. MONDAY, SEPTEMBER 1st, 2017: two people are dead, a boy is in intensive care, and the most notorious narcotics dealer in the South Shore is in custody. 6 YEARS LATER: a novelist, a retired FBI detective, a public-access documentary program, and a survivor try to make sense of it. A director's cut/remix of SEE YOU NEXT WEEKEND.

FRIDAY, AUGUST 29th, 2017: three local teenagers stumble on the aftermath of a grisly crime. MONDAY, SEPTEMBER 1st, 2017: two people are dead, a boy is in intensive care, and the most notorious narcotics dealer in the South Shore is in custody. 6 YEARS LATER: a novelist, a retired FBI detective, a public-access documentary program, and a survivor try to make sense of it. A director's cut/remix of SEE YOU NEXT WEEKEND.

Brock and Sid used to be pretty good contract killers. Now they're less-good gentleman thieves.

Brock and Sid used to be pretty good contract killers. Now they're less-good gentleman thieves.

Brock and Sid used to be pretty good contract killers. Now they're less-good gentleman thieves.

In the infancy of the 1960s, a Presidential blunder radically changes the course of the Space Race.

In the infancy of the 1960s, a Presidential blunder radically changes the course of the Space Race.

Seeking one final crack at adolescent glory, Bloom Beesly and his friends walk into what they hope to be the party of the century. What they find is a corpse, a gun, and a very dangerous white bag.

Seeking one final crack at adolescent glory, Bloom Beesly and his friends walk into what they hope to be the party of the century. What they find is a corpse, a gun, and a very dangerous white bag.

Seeking one final crack at adolescent glory, Bloom Beesly and his friends walk into what they hope to be the party of the century. What they find is a corpse, a gun, and a very dangerous white bag.

A TALE OF LOSS, LOVE, AND PAPA JOHN'S. A no-budget student short film directed by high schooler Ethan Dunlap, co-written with star Bobby Whitehouse. Loosely adapted from the Ambrose Bierce story 'The Moonlit Road', Dunlap and Whitehouse proceeded to add a comedic element, slapstick, a chase sequence, an 80s pop soundtrack, and a musical number. An homage to 80s screwball comedies and Buckaroo Banzai, it was largely made as practice for "actual, you know, real filmmaking". It is also, admittedly, Not Very Good.

A TALE OF LOSS, LOVE, AND PAPA JOHN'S. A no-budget student short film directed by high schooler Ethan Dunlap, co-written with star Bobby Whitehouse. Loosely adapted from the Ambrose Bierce story 'The Moonlit Road', Dunlap and Whitehouse proceeded to add a comedic element, slapstick, a chase sequence, an 80s pop soundtrack, and a musical number. An homage to 80s screwball comedies and Buckaroo Banzai, it was largely made as practice for "actual, you know, real filmmaking". It is also, admittedly, Not Very Good.

A TALE OF LOSS, LOVE, AND PAPA JOHN'S. A no-budget student short film directed by high schooler Ethan Dunlap, co-written with star Bobby Whitehouse. Loosely adapted from the Ambrose Bierce story 'The Moonlit Road', Dunlap and Whitehouse proceeded to add a comedic element, slapstick, a chase sequence, an 80s pop soundtrack, and a musical number. An homage to 80s screwball comedies and Buckaroo Banzai, it was largely made as practice for "actual, you know, real filmmaking". It is also, admittedly, Not Very Good.

A TALE OF LOSS, LOVE, AND PAPA JOHN'S. A no-budget student short film directed by high schooler Ethan Dunlap, co-written with star Bobby Whitehouse. Loosely adapted from the Ambrose Bierce story 'The Moonlit Road', Dunlap and Whitehouse proceeded to add a comedic element, slapstick, a chase sequence, an 80s pop soundtrack, and a musical number. An homage to 80s screwball comedies and Buckaroo Banzai, it was largely made as practice for "actual, you know, real filmmaking". It is also, admittedly, Not Very Good.

A TALE OF LOSS, LOVE, AND PAPA JOHN'S. A no-budget student short film directed by high schooler Ethan Dunlap, co-written with star Bobby Whitehouse. Loosely adapted from the Ambrose Bierce story 'The Moonlit Road', Dunlap and Whitehouse proceeded to add a comedic element, slapstick, a chase sequence, an 80s pop soundtrack, and a musical number. An homage to 80s screwball comedies and Buckaroo Banzai, it was largely made as practice for "actual, you know, real filmmaking". It is also, admittedly, Not Very Good.

A lost & abandoned feature film by Ethan Samuel Dunlap, who directed it when he was 15. A rough cut was assembled in 2011 and screened to close friends, then shelved permanently when the director deemed it "unwatchable". Plot is believed to be largely a riff on CLERKS but set in a high school.

A lost & abandoned feature film by Ethan Samuel Dunlap, who directed it when he was 15. A rough cut was assembled in 2011 and screened to close friends, then shelved permanently when the director deemed it "unwatchable". Plot is believed to be largely a riff on CLERKS but set in a high school.

Two former kid-detectives, now in their late twenties, reunite a decade after their final case ended in tragedy.

Two former kid-detectives, now in their late twenties, reunite a decade after their final case ended in tragedy.